Secrets of Giron Arnis Escrima

Secrets of Giron Arnis Escrima
Автор книги: id книги: 1595407     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 2117,78 руб.     (23,1$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Спорт, фитнес Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9781462916962 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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Learn about the history, culture and techniques of filipino escrima with this informative martial arts guide. The history of the Philippines and her martial arts is a history of resistance and revolt. Born into this fertile time and place, Grandmaster Leo M. Giron became a child of revolution. He grew up in a time when martial arts training was a necessity, not a luxury. His system was taught to him by five renowned masters; his experience honed in the jungle warfare of World War II. The Secrets of Giron Arnis Escrima is an engaging biography of Leo Giron, a renowned master of escrima and survivor of numerous hand-to-hand encounters in the Philippine jungles. It is also a visual and descriptive survey of Giron's fighting art—a classical weapons and empty-hand self-defense system applicable in today's modern society. Included is an overview of the twenty styles that make up the Giron system in general, and an analysis of the de fondo and cadena de mano styles in particular. Packed with over 300 historical and instructional photographs this book truly reveals the secrets of this Filipino martial art.

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Antonio Somera. Secrets of Giron Arnis Escrima

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The Secrets of

Giron Arnis

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In general, the panabas consists of a twenty-inch blade attached to a twenty-inch bamboo or wooden handle. Although the use of farm implements as a means of self-defense is by no means unique to Luzon, the specific method of employing these tools is what characterizes the larga mano style. The fundamental essence of the style is found in its concepts of fighting range, economy of movement, and its ability to blend with the older styles of arnis and escrima. From this point on both the “old” (cada-anan) and the “new” (cabaroan) escrima and arnis styles continued to grow, often in unison. In fact, Grandmaster Giron, a native of Bayambang, relates that “there eventually came a time when if one was asked what style he played, and he answered both old and new, you would then see the inquirer’s tone and general demeanor turn less arrogant, with words carefully chosen to deal with the developing situation.”

The Eighteenth and Nineteenth Centuries

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