Quality Street: A Comedy

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Barrie James Matthew. Quality Street: A Comedy

ACT I. THE BLUE AND WHITE ROOM

ACT II. THE SCHOOL

ACT III. THE BALL

ACT IV. THE BLUE AND WHITE ROOM

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Ten years later. It is the blue and white room still, but many of Miss Susan's beautiful things have gone, some of them never to return; others are stored upstairs. Their place is taken by grim scholastic furniture: forms, a desk, a globe, a blackboard, heartless maps. It is here that Miss Phoebe keeps school. Miss Susan teaches in the room opening off it, once the spare bedroom, where there is a smaller blackboard (for easier sums) but no globe, as Miss Susan is easily alarmed. Here are the younger pupils unless they have grown defiant, when they are promoted to the blue and white room to be under Miss Phoebe's braver rule. They really frighten Miss Phoebe also, but she does not let her sister know this.

It is noon on a day in August, and through the window we can see that Quality Street is decorated with flags. We also hear at times martial music from another street. Miss Phoebe is giving a dancing lesson to half a dozen pupils, and is doing her very best; now she is at the spinet while they dance, and again she is showing them the new step. We know it is Miss Phoebe because some of her pretty airs and graces still cling to her in a forlorn way, but she is much changed. Her curls are out of sight under a cap, her manner is prim, the light has gone from her eyes and buoyancy from her figure; she looks not ten years older but twenty, and not an easy twenty. When the children are not looking at her we know that she has the headache.

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It is noon on a day in August, and through the window we can see that Quality Street is decorated with flags. We also hear at times martial music from another street. Miss Phoebe is giving a dancing lesson to half a dozen pupils, and is doing her very best; now she is at the spinet while they dance, and again she is showing them the new step. We know it is Miss Phoebe because some of her pretty airs and graces still cling to her in a forlorn way, but she is much changed. Her curls are out of sight under a cap, her manner is prim, the light has gone from her eyes and buoyancy from her figure; she looks not ten years older but twenty, and not an easy twenty. When the children are not looking at her we know that she has the headache.

PHOEBE (who is sometimes at the spinet and sometimes dancing). Toes out. So. Chest out. Georgy. Point your toes, Miss Beveridge – so. So – keep in line; and young ladies, remember your toes. (GEORGY in his desire to please has protruded the wrong part of his person. She writes a C on his chest with chalk.

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