Twenty Prose Poems

Twenty Prose Poems
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From the introduction by Michael Hamburger: “Baudelaire's prose poems were written at long intervals during the last twelve or thirteen years of his life. The prose poem was a medium much suited to his habits and character. Being pre-eminently a moralist, he needed a medium that enabled him to illustrate a moral insight as briefly and vividly as possible. Being an artist and sensualist, he needed a medium that was epigrammatic or aphoristic, but allowed him scope for fantasy and for that element of suggestiveness which he considered essential to beauty. His thinking about society and politics, as about everything else, was experimental; like the thinking of most poets it drew on experience and imagination, rather than on facts and general arguments. That is another reason why the prose poem proved a medium so congenial to Baudelaire.” Charles Baudelaire (1821-1867) was a French poet, essayist, art critic and translator for Edgar Allan Poe. He is credited with coining the term «modernity» to describe the fleeting, ephemeral experience of life in an urban metropolis and the responsibility art has to capture that experience.

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Charles Baudelaire. Twenty Prose Poems

Twenty Prose Poems

TABLE OF CONTENTS

INTRODUCTION

I. THE OLD WOMAN’S DESPAIR

II. CONFITEOR OF THE ARTIST

III. THE DOUBLE ROOM

IV. THE FOOL AND THE VENUS

V. AT ONE O’CLOCK IN THE MORNING

IV. CROWDS

VII. A HEMISPHERE IN A HEAD OF HAIR

VIII. INVITATION TO THE VOYAGE

IX. SOLITUDE

X. THE EYES OF THE POOR

XI. THE GENEROUS GAMESTER

XII. GET DRUNK!

XIII. THE FAVOURS OF THE MOON

XIV. WHICH IS THE TRUE ONE?

XV. THE MIRROR

XVI. THE PORT

XVII. THE SOUP AND THE CLOUDS

XVIII. LOSS OF A HALO

XIX. ANYWHERE OUT OF THE WORLD*

XX. LET’S BEAT UP THE POOR

I. LE DÉSESPOIR DE LA VIEILLE

II. LE CONFITEOR DE L’ARTISTE

III. LA CHAMBRE DOUBLE

IV. LE FOU ET LA VÉNUS

V. A UNE HEURE DU MATIN

IV. LES FOULES

VII. UN HÉMISPHÈRE DANS UNE CHEVELURE

VIII. L’INVITATION AU VOYAGE

IX. LA SOLITUDE

X. LES YEUX DES PAUVRES

XI. LE JOUEUR GÉNÉREUX

XII. ENIVREZ-VOUS

XIII. LES BIENFAITS DE LA LUNE

XIV. LAQUELLE EST LA VRAIE?

XV. LE MIROIR

XVI. LE PORT

XVII. LA SOUPE ET LES NUAGES

XVIII. PERTE D’AURÉOLE

XIX. N’IMPORTE OÙ HORS DU MONDE

XX. ASSOMMONS LES PAUVRES!

SELECTED BIBLIOGRAPHY

THE AUTHOR

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Charles Baudelaire

Translated by

.....

If we could put out of our minds the exaggerated vocabulary which Baudelaire used to describe himself, forget words like ‘frightful,’ ‘nightmare’ and ‘horror,’ which occur on every page of Les Fleurs du mal, and penetrate right into his heart, we should perhaps find beneath the anguish, the remorse and the vibrating nerves something gentler and much more intolerable than the most painful of ills — Indifference.

But Baudelaire himself said more than that in the introductory poem, when he speaks of Boredom ‘that would gladly reduce the earth to rubble and swallow the world in a great yawn.’ It was out of his experience of this Boredom that Baudelaire constructed his dualism of ‘spleen and ‘idéal,’ his knowledge of what he called the ‘abyss’ and our need to escape from it perpetually by creating illusions and ideals of one kind or another.

.....

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