Ilya Repin

Ilya Repin
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Ilya Repin was the most gifted of the group known in Russia as “The Itinerants”. When only twelve years old, he joined Ivan Bounakov’s studio to learn the icon-painter’s craft. Religious representations always remained of great importance for him. From 1864 to 1873 Repin studied at the Academy of the Arts in Saint Petersburg under Kramskoï. Repin also studied in Paris for two years, where he was strongly influenced by outdoor painting without, becoming an Impressionist, a style that he judged too distant from reality. Taken with French pictorial culture, he worked to understand its role in the evolution of contemporary art. Most of Repin’s powerful work deals with the social dilemmas of Russian life in the nineteenth century. He established his reputation in 1873 with the celebrated picture Barge Haulers on the Volga, symbol of the oppressed Russian people pulling their chains. This struggle against the autocracy inspired many works. He also painted Russia’s official history in such works as Ivan the Terrible Meditating at the Deathbed of his Son Ivan. Seen as one of the masters of realist painting, he devoted himself to portraying the lives of his contemporaries: the most renowned Russian writers, artists, and intellectuals; peasants at work; the faithful in procession; and revolutionaries on the barricades. He understood the pains of the people perfectly, as well as the needs and the joys of ordinary lives. Kramskoï said on this subject: “Repin has a gift for showing the peasant as he is. I know many painters who show the moujik, and they do it well, but none can do so with as much talent as Repin.”Repin’s works, which depart from the academic constraints of their predecessors, are both delicate and powerful. He achieved a superior mastery of skill, and found new accents to transcribe the many-coloured and brilliant vibrations he sensed in the ordinary world around him.

Оглавление

Grigori Sternin. Ilya Repin

Introduction

The Creative World Of Repin

His works

PORTRAIT OF VERA CHEVTSOVA (REPIN’S WIFE FROM 1872)

SLAVIC COMPOSERS

SADKO IN THE UNDERWATER KINGDOM

GRAND DUCHESS SOPHIA AT THE NOVODEVITCHY CONVENT

PORTRAIT OF THE PAINTER ARKHIP IVANOVICH KUINJI

PORTRAIT OF THE SURGEON NIKOLAY PIROGOV

PORTRAIT OF NADYA REPINA, THE ARTIST’S DAUGHTER

DRAGONFLY. PORTRAIT OF VERA REPINA, THE ARTIST’S DAUGHTER

PORTRAIT OF YURI REPIN, SON OF THE ARTIST

PORTRAIT OF THE COMPOSER MODEST MUSSORGSKY

PORTRAIT OF PAVEL TRETYAKOV, FOUNDER OF THE TRETYAKOV GALLERY

PORTRAIT OF THE ACTRESS PELAGEYA STREPETOVA

PORTRAIT OF DMITRI MENDELEEV

PORTRAIT OF THE ARTIST GRIGORIY MYASOYEDOV

LEO TOLSTOY AS A PLOUGHMAN ON A FIELD

PORTRAIT OF ANTON RUBINSTEIN

A NUN

PORTRAIT OF SOPHIA DRAGOMIROVA

PORTRAIT OF BARONESS VARVARA IKSKUL VON HILDENBANDT

UNEXPECTED RETURN

STONE GUEST. DON JUAN AND DONNA ANNA

PORTRAIT OF K. POBEDONOSTSEV (STUDY FOR THE CEREMONIAL MEETING OF THE STATE COUNCIL)

PORTRAIT OF THE NEUROLOGIST VLADIMIR BEKHTEREV

PORTRAIT OF THE WRITER LEONID ANDREYEV ON A PLEASURE BOAT

SELF-PORTRAIT

Biography

Отрывок из книги

Self-Portrait, 1878.

Oil on canvas, 69.5 × 49.6 cm.

.....

The chief point is that from this period onward each strove to depict with increasing fidelity not only the actual physiognomy of the country itself, but that confused and questing human equation that lay just at hand waiting to be understood and interpreted.

With that passion for absolutism so typical of the Slavic mind, it is scant wonder that the emancipation of art should follow rapidly upon the liberation of the serfs. On November 9, 1863, under the magnetic leadership of Kramskoi, thirteen of the ablest students of the Imperial Academy of Fine Arts rebelled against soulless formalism, left the institution, and formed themselves into an independent body. The little band of aspirants struggled dubiously along for a time, but was later strong enough to establish the Peredvizhnaya Vystavka (Society of Travelling Exhibitions).

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