Contemporary Ukrainian and Baltic Art

Contemporary Ukrainian and Baltic Art
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Описание книги

This volume focuses on political and social expressions in contemporary art of Ukraine, Estonia, Lithuania, and Latvia. It explores the transformations that art in Ukraine and the Baltic states has undergone since their independence in 1991, discussing how the conflicts and challenges of the last three decades have impacted the reconsideration of identity and fostered resistance of culture against economic and political crises. It analyzes connections between the past and the present as seen by the artists in these countries and looks at their visions of the future.
Contemporary Ukrainian art portrays various perspectives, addressing issues from controversial historical topics to the present military conflict in the East of the country. Baltic art speaks out against the erasure of past historical traumas and analyzes the pertinence of its cultural scene to the European community. The contributions in this collection open a discussion of whether there is a single paradigm that describes the contemporary processes of art production in Ukraine and the Baltic countries.
With contributions by Ieva Astahovska, Svitlana Biedarieva, Kateryna Botanova, Olena Martynyuk, Vytautas Michelkevičius, Lina Michelkevičė, Margaret Tali, and Jessica Zychowicz.

Оглавление

Группа авторов. Contemporary Ukrainian and Baltic Art

Introduction

Bibiography

Mapping Transformations in Latvian and Baltic Art

Faster than history

Postsocialist and postcolonial sutures

The break with the past, the losers, and the others

Conflicting identities

Living and haunting memories

Peripheries and postsocialist precarities

Everything Was Forever Until It Was No More

Outlands

Give Up the Ghost

Conclusion: on artistic approaches, the Baltics, and entanglements

Bibliography

Illustrations

The Documentary Turn in New Ukrainian Art

Documentary art as an archive

Intervening in the archive

Creating the archive

Displaying Ukrainian documentary art

Conclusion

Bibliography

Illustrations

Artist as a Virus. Political Transformations and Art in Ukraine after 1991

Non-political political art after 1991

Between two revolutions

Euromaidan and dignity of the revolution

Bibliography

Illustrations

Apocalyptic Perestroika and the Birth of the Ukrainian Contemporary Art

Apocalypse has already happened (in the aftermath of the catastrophe)

The end of the world is yet to come (expecting the ultimate catastrophe)

Angels of the apocalypse (heralds of the catastrophe)

Conclusion

Bibliography

Illustrations

Artists Rewriting Art History through Artistic Research and Collecting in Lithuania. From Pavilion to Museum to Cemetery

Behind the White Curtain, or how to represent a state

Rebellious art history in Museum

From storage to underground: the Cemetery of Artworks

Conclusions: practice-based research into practical memory

Bibliography

Illustrations

Working with Difficult Histories to Reimagine the Future. Revisiting the Meanings of Memory and Identity in Baltic Art

Spatializing difficult memories

Reclaiming minority identities, unsettling national identities

Zooming in on complicities

Conclusion

Bibliography

Interviews

Illustrations

A New Dawn at the Centennial of Suffragism. Artistic Representation in Transeuropean and Transatlantic Kyiv

Situating feminism as a discursive frame

A Room of One’s Own—a language for transforming marginality

March 8 in the 2000s

Political representation as creative experiment

Bibliography

Illustrations

Contributors

Отрывок из книги

ibidem Press, Stuttgart

Mapping Transformations in Latvian and Baltic Art

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Gordon, Avery F. (1997). Ghostly Matters: Haunting and the Sociological Iimagination. Minneapolis, MN: University of Minnesota Press.

———. (2011). “Some Thoughts on Haunting and Futurity.” Borderlands. Special issue “Haunted Futurities.” Vol. 10 (2), 1–21. Available online at http://averygordon.net/files/GordonHauntingFuturity.pdf/.

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