Giving up the Ghost

Giving up the Ghost
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From the double Man Booker Prize-winning author of ‘Wolf Hall’, a wry, shocking and beautiful memoir of childhood, ghosts, hauntings, illness and family.At no. 58 the top of my head comes to the outermost curve of my great-aunt, Annie Connor. Her shape is like the full moon, her smile is beaming; the outer rim of her is covered by her pinny, woven with tiny flowers. It is soft from washing; her hands are hard and chapped; it is barely ten o'clock and she is getting the cabbage on. 'Hello, Our Ilary,' she says; my family has named me aspirationally, but aspiration doesn't stretch to the 'H'.Giving Up the Ghost is award-winning novelist Hilary Mantel's wry, shocking and uniquely unusual five-part autobiography of childhood, ghosts, illness and family.It opens in 1995 with 'A Second Home', in which Mantel describes the death of her stepfather, a death which leaves her deeply troubled by the unresolved events of childhood. ‘Now Geoffrey Don't Torment Her' begins in typical, gripping Mantel fashion: 'Two of my relatives have died by fire.' Set during the 1950s, it takes the reader into the muffled consciousness of her early childhood, culminating with the birth of a younger brother and the strange candlelit ceremony of her mother's 'churching'. In 'The Secret Garden' Mantel moves to a haunted house and mysteriously gains a stepfather. When she is almost eleven, her family flee the gossips and the ghosts, and resolve to start a new life. 'Smile' is an account of teenage perplexity, in a household where the keeping of secrets has become a way of life. Convent school provides a certain sanctuary, with tacit assistance from the fearsome 'Top Nun.' In the final section, the author tells how, through medical misunderstandings and neglect, she came to be childless, and how the ghosts of the unborn, like chances missed or pages unturned, have come to haunt her life as a writer.

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Hilary Mantel. Giving up the Ghost

Giving Up the Ghost. A Memoir. Hilary Mantel

Copyright

Contents

PART ONE A Second Home

PART TWO Now Geoffrey Don’t Torment Her

PART THREE The Secret Garden

PART FOUR Smile

PART FIVE Show Your Workings

Afterlife

If you enjoyed Giving up the Ghost, check out these other great Hilary Mantel titles

About the Author

Excerpt from Wolf Hall by Hilary Mantel

I. Across the Narrow Sea. Putney, 1500

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For my family

The wind rises, clouds cover the moon, a dog’s bark and those owls, Alone and no end.

.....

In mid-January 1993 we made our headquarters at the Blakeney Hotel, a flint ship sailing the salt marshes. We were equipped with sheaves of property details, most of them lying or misleading. For two days we drove the lanes, crossing houses off as soon as we saw their location or exterior. I was recovering from a bad Christmas—bronchitis and a lung inflammation—and I had no voice. But voice was not necessary, only an ability to peer at the map in fading light and at the same time monitor faded fingerposts, leaning under the weight of Norfolk place names. At five on a Sunday afternoon, in near-dark, we were up to our calves in mud somewhere east of East Dereham, a stone’s throw from an ancient crumbling church and a row of tumbledown corrugated-iron farm buildings, trying to find a track to a forlorn little cottage at the end of a forlorn little row. We gave it up, sat disconsolate inside the scarlet monster, and turned our minds to the M25.

When we returned, still in bitter weather, I had got my voice back and we had narrowed our search. Often, when I was staying with my friend from Africa, we had come to Reepham to shop, and I had looked up at the long Georgian windows of the Old Brewery. It was a pub and small hotel, an elegant red-brick building with a sundial and that Latin inscription which means ‘I only count the happy hours’. By the time I returned there, ten years on, Reepham had a post office, two butchers, a pharmacy, as well as a telephone kiosk: a hairdresser, one or two discreet antique dealers, a busy baker’s shop which sold vitamins and farm eggs and organic chocolate, and a greengrocer-florist called Meloncaulie Rose. A well-arranged town square was surrounded by calm, wide-windowed houses, and a jumble of cottages tumbling down Station Road. There was no longer a station, though in Victorian times there had been two, and twelve beer houses, and a cattle market. There had been three churches, but one of them burnt down in 1543, and was never rebuilt; the history of the town is of a slow decline into impiety, and abstemiousness. On a January day, after I became a resident, a huddled old lady beckoned me from her doorway, and looked across the deserted market place to the church gates. ‘What do you make of it?’ she said. ‘More life in the churchyard than in the street today.’

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