The Love Affairs of Great Musicians

The Love Affairs of Great Musicians
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Описание книги

This is one of the very first books on the subject that features, among other interesting love stories, a revelation of the exact identity of Beethoven's «Immortal Beloved»; the letters of Liszt to his princess; letters of Chopin long supposed to have been burned, as well as diaries and letters gathered by an intimate friend for a biography whose completion was prevented by death; the publication of a vast amount of Wagneriana; the appearance of a full life of Tschaikovski by his brother, with complete elucidation of much that had been suppressed; a detailed account of the whole progress of Clara Schumann's beautiful love story, down to the day of the marriage; and numberless fugitive paragraphs throwing new light on affairs more or less unknown or misunderstood. Volume 1: The Overture The Ancients The Men of Flanders Orland Di Lassus and His Regina Henry and Frances Purcell The Strange Adventures of Stradella Giovanni and Lucrezia Palestrina Bach, the Patriarch Papa and Mamma Haydn The Magnificent Bachelor Gluck the Domestic, Rousseau the Confessor, and the Amiable Piccinni A Few Tunesters of France and Italy – Peri, Monteverde, et al. Mozart Beethoven: the Great Bumblebee Von Weber – the Rake Reformed The Felicities of Mendelssohn The Nocturnes of Chopin Volume 2: Franz Liszt Richard Wagner Tschaikovski, the Woman-Dreader The Heart of a Violinist An Omnibus Chapter Robert Schumann and Clara Wieck Musicians as Lovers

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Hughes Rupert. The Love Affairs of Great Musicians

The Love Affairs of Great Musicians

Table of Contents

Volume 1

Table of Contents

NOTE

CHAPTER I. THE OVERTURE

CHAPTER II. THE ANCIENTS

CHAPTER III. THE MEN OF FLANDERS

CHAPTER IV. ORLAND DI LASSUS AND HIS REGINA

CHAPTER V. HENRY AND FRANCES PURCELL

CHAPTER VI. THE STRANGE ADVENTURES OF STRADELLA

CHAPTER VII. GIOVANNI AND LUCREZIA PALESTRINA

CHAPTER VIII. BACH, THE PATRIARCH

CHAPTER IX. PAPA AND MAMMA HAYDN

CHAPTER X. THE MAGNIFICENT BACHELOR

CHAPTER XI. GLUCK THE DOMESTIC, ROUSSEAU THE CONFESSOR, AND THE AMIABLE PICCINNI

ROUSSEAU THE CONFESSOR

THE AMIABLE PICCINNI

CHAPTER XII. A FEW TUNESTERS OF FRANCE AND ITALY—PERI, MONTEVERDE, ET AL

LULLY THE IMP

THE TACITURN RAMEAU

PERGOLESI

KEISER

BONONCINI AND THE SCARLATTIS

CHAPTER XIII. MOZART

CHAPTER XIV. BEETHOVEN: THE GREAT BUMBLEBEE

CHAPTER XV. VON WEBER—THE RAKE REFORMED

CHAPTER XVI. THE FELICITIES OF MENDELSSOHN

CHAPTER XVII. THE NOCTURNES OF CHOPIN

Volume 2

Table of Contents

CHAPTER I. FRANZ LISZT

CHAPTER II. RICHARD WAGNER

CHAPTER III. TSCHAIKOVSKI, THE WOMAN-DREADER

CHAPTER IV. THE HEART OF A VIOLINIST

TARTINI

LOUIS SPOHR

PAGANINI, THE INFERNAL

DE BÉRIOT, SONTAG, AND MALIBRAN

CHAPTER V. AN OMNIBUS CHAPTER

CERTAIN TROUBADOURS

MARTIN LUTHER

BRITISHERS

CLEMENTI, HUMMEL, STEIBELT

BOIELDIEU AND GRÉTRY

HÉROLD AND BIZET

THE PASSIONS OF BERLIOZ

GOUNOD

DIVERS ITALIANS

THE GRAND ROSSINI

BELLINI

VERDI'S MISERERE

VARIOUS GERMANS

FRANZ SCHUBERT

CHAPTER VI. ROBERT SCHUMANN AND CLARA WIECK

CHAPTER VII. MUSICIANS AS LOVERS

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Rupert Hughes

Published by

.....

It was not, then, Frau von Genzinger that threatened Polzelli's supremacy. Nor was it Madame Bartolozzi, for whom Haydn wrote a sonata and three trios; nor Mrs. John Hunter, who wrote words for many of his canzonets. Nor yet Mrs. Hodges, for whom he composed, and whom he called "the loveliest woman I ever saw." Nor yet again the fascinating actress, Mrs. Billington, of whom the pleasant story is told, that Haydn, when he went to London, called on Sir Joshua Reynolds at his studio, found him painting Mrs. Billington as "Saint Cecilia listening to the angels," and protested gallantly that Reynolds ought to have painted the angels listening to her. For which sprightliness he received immediately a fervent hug and a kiss from those so sweet and promiscuous lips. The skeptics object, that Reynolds exhibited the picture in London in 1790, a year before Haydn reached London, but it is a shame to spoil a good and famous story.

The true woman in the case makes her entrée in this innocent style:

.....

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