Goethe's Literary Essays

Goethe's Literary Essays
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Professor Spingarn has done students of literature a real favor; for he has gathered into a single and well-made volume, golden pages from one of the great masters of literature. As divergent-minded judges as Carlyle, Matthew Arnold and Sainte-Beuve acclaimed Goethe the supreme literary critic of all time and, whatever might be said against so superlative an opinion, certainly Goethe's many-sidedness, his undoubted genius, and his keen insight all conspired to give his judgments on literature a value too great to be ignored. All phases of his critical activity are represented in this excellent volume, which is the work of several translators, all of high standard. Goethe was keenly interested in French and in English literature, no less than in German, and for the English reader there will be much to stimulate thought in his sympathetic appreciation of Shakespeare. Those of us who have found the great dramatist's plays strangely failing in power to lift us out of ou selves, can find much to ponder over in Goethe's declaration: «Shakespeare gets his effect by means of the living word, and it is for this reason that one should hear him read, for then the attention is not distracted either by a too adequate or too in adequate stage-setting. There is no higher . . . pleasure than to sit with closed eyes and hear a naturally expressive voice recite, not declaim, a play of Shakespeare's.» Goethe was no hard and fast critic, and as he re-read a book and found that it appealed to him in a new light, he did not hesitate to revise his earlier opinions and even to call attention to corrected impressions or reversals of judgments. It was because of his open-mindedness to new impressions that his critical dicta appear perennially fresh and stimulate the reader by their frankness and their vitality. The task of collecting these admirable and valuable essays required a scholar. It found one in Professor Spingarn, to whom the lovers of the best in literature owe genuine gratitude for this volume. The essays are grouped under The theory of art – The theory of literature – On Shakespeare – On other writers – Extracts from the conversations with Eckermann.

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Johann Wolfgang von Goethe. Goethe's Literary Essays

CONTENTS:

FOREWORD

THE THEORY OF ART. ON GERMAN ARCHITECTURE

INTRODUCTION TO THE PROPYLAEA

UPON THE LAOCOON

THE COLLECTOR AND HIS FRIENDS

ON TRUTH AND PROBABILITY IN WORKS OF ART

SIMPLE IMITATION OF NATURE, MANNER, STYLE

ANCIENT AND MODERN

NOTES ON DILETTANTISM

THE THEORY OF LITERATURE. THE PRODUCTION OF A NATIONAL CLASSIC

GOETHE'S THEORY OF A WORLD LITERATURE. I

II

III

IV

V

ON EPIC AND DRAMATIC POETRY

SUPPLEMENT TO ARISTOTLE'S POETICS

ON THE GERMAN THEATRE

LUDWIG TIECK'S DRAMATURGIC FRAGMENTS

ON DIDACTIC POETRY

SUPERSTITION AND POETRY

THE METHODS OF FRENCH CRITICISM. I

II

ON CRITICISM

ON SHAKESPEARE. WILHELM MEISTER'S CRITIQUE OF HAMLET,

SHAKESPEARE AD INFINITUM

FIRST EDITION OF HAMLET

TROILUS AND CRESSIDA

ON OTHER WRITERS. GOETHE AS A YOUNG REVIEWER

BYRON'S MANFRED

BYRON'S DON JUAN

CALDERON'S DAUGHTER OF THE AIR

MOLIÈRE'S MISANTHROPE

OLD GERMAN FOLKSONGS

FOLKSONGS AGAIN COMMENDED

LAURENCE STERNE

THE ENGLISH REVIEWERS

GERMAN LITERATURE IN GOETHE'S YOUTH

EXTRACTS FROM GOETHE'S CONVERSATIONS WITH ECKERMANN

APPENDIX. I. On the Selection and Translation of the Essays in this Volume

II. On the Chronology of Goethe's Critical Studies

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Goethe's Literary Essays

JOHANN WOLFGANG VON GOETHE

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I. — We will for a moment contemplate art in its origin.

Guest. — Good.

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