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Markus Jaeger. Popular Is Not Enough: The Political Voice Of Joan Baez
I think one of the saddest and stupidest things in our world is the segregation and discrimination of different races […] (Joan Baez, 1955) There’s a consensus out that it’s OK to kill when your government decides who to kill. If you kill inside the country you get in trouble. If you kill outside the country, right time, right season, latest enemy, you get a medal […] (Joan Baez, 1968)
Introduction
1. Stepping Over Boundaries: Materials, Methodology and Theory. Introduction
1.1 Against Wrongful Restrictions: On the Advantages of Interdisciplinarity
1.2 Reconstituting Culture: On the Significance of Social Movements
1.3 Life Is the Method: On the Sisterhood of Biography and Society
1.4 Popular Is Not Enough: On Popular Culture and Politics
1.5 A Critical View of a Critical Theorist: How a Bad Frankfurt Pupil Can Still Be Politically Active
1.5.1 Music for More Than Music’s Sake: On the Credibility of Politically Engaged Artists
1.5.2 Words Do Not Change Society: Theory Versus Practice. 1.5.2.1 On Fictitious Freedom
1.5.2.2 On the Credibility of Hazy Categories
1.5.2.3 On the Passiveness of Theories
2. “The Kingdom of Childhood”1: Major Moments of the 1950s. Introduction
2.1 Religion Without Violence: Joan Baez and the Quakers
2.2 Becoming Someone Who Was Alright: On Singing Against Isolation
2.3 The Birth of a Passion: Iraq, 1951
2.4 Preparing for the March on Washington: Joan Baez and Dr. Martin Luther King, Jr
2.5 Another Teacher of Pacifism: Jewish Scholar Ira Sandperl
3. On Refusal Without Violence: Joan Baez and Henry David Thoreau
4. High School Activist and Folk Music Revivalist. Introduction
4.1 Conservative Nostalgia About the 1950s
4.2 Pedagogy of Paranoia: Activist for the First Time
4.3 The Soundtrack of the American Counterculture: Joan Baez and the Folk Music Revival
5. Postwar Fractures in Society: Joan Baez in the 1960s. Introduction
5.1 Doubted Demarcations: American Society and Change in the 1960s
5.2 Going Further than Allowed: Joan Baez and the Civil Rights Movement
5.3 When Students More than Studied: Joan Baez and the Free Speech Movement
5.4 Playing Domino: Joan Baez Against the Vietnam War
6. A Roller Coaster Decade: Joan Baez in the 1970s. Introduction
6.1 In the Shadow: The Comeback of Conservatism
6.2 No Matter What Their Crime Is: Joan Baez and Political Prisoners
6.3 The Normality of Otherness: Joan Baez and the Gay Liberation Movement
6.4 Life Saving Songs: Joan Baez in South East Asia After the Vietnam War
7. A Narcissistic Decade: Joan Baez in the 1980s. Introduction
7.1 The Political Meaning of Yogurt: Ramboism and Music in the 1980s
7.2 Causing Troubles: Joan Baez in Latin America
7.3 Organized Non-Violence Once More: Joan Baez in Poland
7.4 Singing for the Velvet Revolution: Joan Baez in Czechoslovakia
8. Gone from Danger: Joan Baez in the 1990s. Introduction
8.1 Still Speaking of Dreams: On Different Definitions of Energetic Change
8.2 Singing at the Frontier Lines: Joan Baez in Sarajevo
9. A Lifetime Achievement: Joan Baez in the 2000s. Introduction
9.1 War En Vogue Once More: Consequences of 9/11
9.2 Veterans and Mothers Against the War Once More: Joan Baez and Cindy Sheehan
9.3 Censorship Once More: Joan Baez Not Allowed to Sing at Walter Reed Army Medical Center
10. In Times of Nasty Men: Joan Baez in the 2010s. Introduction
10.1 In the Hall of Fame: Musical and Political Accolades
10.2 In Times of Nasty Men: Opposition to Donald Trump
Conclusion
Bibliography. Books
Articles, Essays, Interviews
Online Sources, CD-ROMs
Sound Recordings
Liner Notes
Homepage and Social Media
Studio Recordings
Acknowledgements
Curriculum Vitae
