Maria - The Wrongs of Woman

Maria - The Wrongs of Woman
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Maria: or, The Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft's philosophical and gothic novel revolves around the story of woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual «wrongs of woman» and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also reveals women's collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin's scandalous Memoirs of Wollstonecraft's life, made the novel unpopular at the time it was published.

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Mary Wollstonecraft. Maria - The Wrongs of Woman

Maria - The Wrongs of Woman

Table of Contents

PREFACE

AUTHOR’S PREFACE

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

APPENDIX. ADVERTISEMENT

CHAPTER 15

CHAPTER 16

CHAPTER 17

CONCLUSION

BY THE EDITOR

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Mary Wollstonecraft

e-artnow, 2021

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Though she failed immediately to rouse a lively sense of injustice in the mind of her guard, because it had been sophisticated into misanthropy, she touched her heart. Jemima (she had only a claim to a Christian name, which had not procured her any Christian privileges) could patiently hear of Maria’s confinement on false pretences; she had felt the crushing hand of power, hardened by the exercise of injustice, and ceased to wonder at the perversions of the understanding, which systematize oppression; but, when told that her child, only four months old, had been torn from her, even while she was discharging the tenderest maternal office, the woman awoke in a bosom long estranged from feminine emotions, and Jemima determined to alleviate all in her power, without hazarding the loss of her place, the sufferings of a wretched mother, apparently injured, and certainly unhappy. A sense of right seems to result from the simplest act of reason, and to preside over the faculties of the mind, like the master-sense of feeling, to rectify the rest; but (for the comparison may be carried still farther) how often is the exquisite sensibility of both weakened or destroyed by the vulgar occupations, and ignoble pleasures of life?

The preserving her situation was, indeed, an important object to Jemima, who had been hunted from hole to hole, as if she had been a beast of prey, or infected with a moral plague. The wages she received, the greater part of which she hoarded, as her only chance for independence, were much more considerable than she could reckon on obtaining any where else, were it possible that she, an outcast from society, could be permitted to earn a subsistence in a reputable family. Hearing Maria perpetually complain of listlessness, and the not being able to beguile grief by resuming her customary pursuits, she was easily prevailed on, by compassion, and that involuntary respect for abilities, which those who possess them can never eradicate, to bring her some books and implements for writing. Maria’s conversation had amused and interested her, and the natural consequence was a desire, scarcely observed by herself, of obtaining the esteem of a person she admired. The remembrance of better days was rendered more lively; and the sentiments then acquired appearing less romantic than they had for a long period, a spark of hope roused her mind to new activity.

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