Aesthetics and the Divine

Aesthetics and the Divine
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"Rabbi Cowen's creative engagement with these contemporary artists reveals how spirituality can enhance the power of the visual image, the emotional persuasiveness of the literary text, and the neurological impact of music …" – Mel Alexenberg, formerly Professor of Art at Columbia University<br /> <br />In the realm of contemporary aesthetic high culture, there are many painters, writers and composers of great talent, but few with deep religious knowledge and belief. In the realm of faith, there are many with deep belief and religious knowledge, but very few with developed great artistic talent. Is there some way of making good the absent but essential combination of artistic prowess and religious depth required to produce great religious artworks in the various artistic media?<br /> <br />In response to this question, this book addresses the theory and practice of engaging significant artists – not necessarily religiously learned or committed – to draw forth from them genuinely religious high art. After exploring the concept of the religious artwork, it documents three religious-creative encounters through which important religious artworks emerged, in the realms of painting, literature and music. It concludes with thoughts on the methodology and kinds of successful engagements between religion and aesthetics – with broader implications for education to religious art.

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Shimon Dovid Cowen. Aesthetics and the Divine

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Aesthetics and the Divine

Rabbi Dr Shimon Cowen is the Director of the Institute for Judaism and Civilization. Combining his distinct backgrounds in secular and religious studies, he established the Institute to create an interface or communication between the arts, sciences and values of general society, on the one hand, and traditional world of religious experience, values and learning, on the other. This book documents one aspect of this interface – in the realm of the fine arts. The work of the Institute has taken the author also to the study of the common root and values of the great world religions, known as the Noahide laws. Their content and application to society are the subject of his books, Politics and Universal Ethics and The Theory and Practice of Universal Ethics – the Noahide Laws. The son of a former Governor-General of Australia, Sir Zelman Cowen, he resides with his wife and family in Melbourne. He may be contacted at

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An earlier version of Chapter 1 was published as “Judaism and Aesthetics” in the Journal of Judaism and Civilization, Vol. 3 (2001); of Chapter 2 as a Postscript to L. Astbury, Earth to Sky – The Art of Victor Majzner, Melbourne: Macmillan, 2002 (reprinted with kind permission of Macmillan Australia); of Chapter 3 as “Ambivalence in Jewish Writing: a discussion of Richard Freadman’s Shadow of Doubt: My father and Myself in the Journal of Judaism and Civilization, Vol. 7 (2005); and of Chapter 4 as “Felix Werder: Judaism in Music – “From the Straits I called to G-d. Psalm 118” in the Journal of Judaism and Civilization, Vol. 9, 2012. Chapter 5 draws on “The Pedagogy of teaching Jewish content in the practice of the Fine Arts”, Journal of Judaism and Civilization, Vol. 8 (2009).

My thanks are due to Louis de Vries and Anna Rosner Blay of Hybrid Publishing for agreeing to take on this book and patiently producing it. I am grateful also to Siobhan O’Shaugnessy for her comments on drafts of the manuscript.

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