Count Robert of Paris

Count Robert of Paris
Автор книги: id книги: 911352     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 149 руб.     (1,62$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Приключения: прочее Правообладатель и/или издательство: РИПОЛ Классик Дата публикации, год издания: 1831 Дата добавления в каталог КнигаЛит: ISBN: 1-59605-429-8 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 12+ Оглавление Отрывок из книги

Реклама. ООО «ЛитРес», ИНН: 7719571260.

Описание книги

They were the literary phenomenon of their time: The Waverly novels, 48 volumes set in fanciful re-creations of the Scottish Highlands (and other lands) of centuries past, published between 1814 and 1831 and devoured by a reading public hungry for these sweeping, interconnected melodramas. The series popularized historical fiction, though they're also abundant in astute political and social commentary. Count Robert of Paris, Volume 46 of Waverly, is part of the fourth and final series in Scott's Tales of My Landlord. Ranging over the Near East, this is a tale of adventure and romance set during the first Crusades in the late 11th century. Scottish novelist and poet SIR WALTER SCOTT (1771–1832), a literary hero of his native land, turned to writing only when his law practice and printing business foundered. Among his most beloved works are The Lady of the Lake (1810), Rob Roy (1818), and Ivanhoe (Waverly Vols. 16 and 11) (1820).

Оглавление

Вальтер Скотт. Count Robert of Paris

Introductory Address

Chapter I

Chapter II

Notes to Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Chapter VII

Chapter VIII

Chapter IX

Notes to Chapter IX

Chapter X

Chapter XI

Chapter XII

Chapter XIII

Chapter XIV

Chapter XV

Chapter XVI

Chapter XVIII

Chapter XIX

Отрывок из книги

It would ill become me, whose name has been spread abroad by those former collections, bearing this title of "Tales of my Landlord," and who have, by the candid voice of a numerous crowd of readers, been taught to think that I merit not the empty fame alone, but also the more substantial rewards, of successful pencraft – it would, I say, ill become me to suffer this, my youngest literary babe, and, probably at the same time, the last child of mine old age, to pass into the world without some such modest apology for its defects, as it has been my custom to put forth on preceding occasions of the like nature. The world has been sufficiently instructed, of a truth, that I am not individually the person to whom is to be ascribed the actual inventing or designing of the scheme upon which these Tales, which men have found so pleasing, were originally constructed; as also that neither am I the actual workman, who, furnished by a skilful architect with an accurate plan, including elevations and directions both general and particular, has from thence toiled to bring forth and complete the intended shape and proportion of each division of the edifice. Nevertheless I have been indisputably the man, who, in placing my name at the head of the undertaking, have rendered myself mainly and principally responsible for its general success. When a ship of war goeth forth to battle with her crew, consisting of sundry foremast-men and various officers, such subordinate persons are not said to gain or lose the vessel which they have manned or attacked, (although each was natheless sufficiently active in his own department;) but it is forthwith bruited and noised abroad, without further phrase, that Captain Jedediah Cleishbotham hath lost such a seventy-four, or won that which, by the united exertions of all thereto pertaining, is taken from the enemy. In the same manner, shame and sorrow it were, if I, the voluntary Captain and founder of these adventures, after having upon three divers occasions assumed to myself the emoluments and reputation thereof, should now withdraw myself from the risks of failure proper to this fourth and last outgoing. No! I will rather address my associates in this bottom with the constant spirit of Matthew Prior's heroine:

As little, nevertheless, would it become my years and station not to admit without cavil certain errors which may justly be pointed out in these concluding "Tales of my Landlord," – the last, and, it is manifest, never carefully revised or corrected handiwork, of Mr Peter Pattison, now no more; the same worthy young man so repeatedly mentioned in these Introductory Essays, and never without that tribute to his good sense and talents, nay, even genius, which his contributions to this my undertaking fairly entitled him to claim at the hands of his surviving friend and patron. These pages, I have said, were the ultimus labor of mine ingenious assistant; but I say not, as the great Dr Pitcairn of his hero, – ultimus atque optimus. Alas! even the giddiness attendant on a journey on this Manchester rail-road is not so perilous to the nerves, as that too frequent exercise in the merry-go-round of the ideal world, whereof the tendency to render the fancy confused, and the judgment inert, hath in all ages been noted, not only by the erudite of the earth, but even by many of the thick-witted Ofelli themselves; whether the rapid pace at which the fancy moveth in such exercitations, where the wish of the penman is to him like Prince Houssain's tapestry, in the Eastern fable, be the chief source of peril – or whether, without reference to this wearing speed of movement, the dwelling habitually in those realms of imagination, be as little suited for a man's intellect, as to breathe for any considerable space "the difficult air of the mountain top" is to the physical structure of his outward frame – this question belongeth not to me; but certain it is, that we often discover in the works of the foremost of this order of men, marks of bewilderment and confusion, such as do not so frequently occur in those of persons to whom nature hath conceded fancy weaker of wing, or less ambitious in flight.

.....

As Harpax spoke between his teeth, and rather to himself than any of his companions, the Mitylenian emerged from under the archway, treading on tiptoe, yet swiftly, with an admirable mixture of silence and celerity. His poniard, drawn as he descended, gleamed in his hand, which was held a little behind the rest of his person, so as to conceal it. The assassin hovered less than an instant over the sleeper, as if to mark the interval between the ill-fated silver corslet, and the "body which it was designed to protect, when, at the instant the blow was rushing to its descent, the Varangian started up at once, arrested the armed hand of the assassin, by striking it upwards with the head of his battle-axe; and while he thus parried the intended stab, struck the Greek a blow heavier than Sebastes had ever learned at the Pancration, which left him scarce the power to cry help to his comrades on the battlements. They saw what had happened, however, and beheld the barbarian set his foot on their companion, and brandish high his formidable weapon, the whistling sound of which made the old arch ring ominously, while he paused an instant, with his weapon upheaved, ere he gave the finishing blow to his enemy. The warders made a bustle, as if some of them would descend to the assistance of Sebastes, without, however, appearing very eager to do so, when Harpax, in a rapid whisper, commanded them to stand fast.

"Each man to his place," he said, "happen what may. Yonder comes a captain of the guard – the secret is our own, if the savage has killed the Mitylenian, as I well trust, for he stirs neither hand nor foot. But if he lives, my comrades, make hard your faces as flint – he is but one man, we are twelve. We know nothing of his purpose, save that he went to see wherefore the barbarian slept so near the post."

.....

Добавление нового отзыва

Комментарий Поле, отмеченное звёздочкой  — обязательно к заполнению

Отзывы и комментарии читателей

Нет рецензий. Будьте первым, кто напишет рецензию на книгу Count Robert of Paris
Подняться наверх