The Spiritual in Art

The Spiritual in Art
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Описание книги

Kandinsky in this book defines the three types of painting; impressions, improvisations and compositions. While impressions are based on an external reality that serves as a starting point, improvisations and compositions depict images emergent from the unconscious, though composition is developed from a more formal point of view. Kandinsky compares the spiritual life of humanity to a pyramid—the artist has a mission to lead others to the pinnacle with his work. The point of the pyramid is those few, great artists. It is a spiritual pyramid, advancing and ascending slowly even if it sometimes appears immobile. During decadent periods, the soul sinks to the bottom of the pyramid; humanity searches only for external success, ignoring spiritual forces.

Оглавление

Wassily Kandinsky. The Spiritual in Art

The Spiritual in Art

Table of Contents

TRANSLATOR'S INTRODUCTION

MICHAEL T. H. SADLER. REFERENCE

DEDICATED TO THE MEMORY OF ELISABETH TICHEJEFF

PART 1: ABOUT GENERAL AESTHETIC

I. INTRODUCTION

II. THE MOVEMENT OF THE TRIANGLE

THIS "WHAT" IS THE INTERNAL TRUTH WHICH ONLY ART CAN DIVINE, WHICH ONLY ART CAN EXPRESS BY THOSE MEANS OF EXPRESSION WHICH ARE HERS ALONE. III. SPIRITUAL REVOLUTION

IV. THE PYRAMID

PART II: ABOUT PAINTING

V. THE PSYCHOLOGICAL WORKING OF COLOUR

IT IS EVIDENT THEREFORE THAT COLOUR HARMONY MUST REST ONLY ON A CORRESPONDING VIBRATION IN THE HUMAN SOUL; AND THIS IS ONE OF THE GUIDING PRINCIPLES OF THE INNER NEED

VI. THE LANGUAGE OF FORM AND COLOUR

FIGURE I

FIGURE II

FIGURE III

VII. THEORY

VIII. ART AND ARTISTS

THE ARTIST MUST HAVE SOMETHING TO SAY, FOR MASTERY OVER FORM IS NOT HIS GOAL BUT RATHER THE ADAPTING OF FORM TO ITS INNER MEANING

IX. CONCLUSION

Отрывок из книги

Wassily Kandinsky

OK Publishing, 2020

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IV. THE PYRAMID

PART II: ABOUT PAINTING

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