Imagined Selves

Imagined Selves
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Описание книги

This volume gathers together some of the real and the imagined lives of Willa Muir, one of the finest and fiercest intellectuals of her generation.
Her writing is rich with paradox – although obsessively Scottish in subject and style, she resented Scotland; although a trenchant champion of feminism, she voluntarily sacrificed her identity to that of the 'poet's wife'; and although she was a committed reformer, she never aligned herself with any political or ideological movement. These passionate dichotomies are intertwined in her writing, giving a particular power to her fiction and non-fiction alike. This collection is the first publication to offer a sense of the diversity of Willa Muir's oeuvre. It makes possible the re-evaluation of her work and assures her of a deserved place in the Scottish literary canon.

Оглавление

Willa Muir. Imagined Selves

Introduction

Contents

I

II

III

IV

I

II

I

II

I

II

I

II

I

II

I

II

Contents

BOOK I: THE CHILD

BOOK II: THE GIRL

BOOK III: THE WOMAN

I

II

III

BOOK IV: THE WOMAN

I

II

I

II

III

IV

ACKNOWLEDGEMENT

Contents

Dame Grundy

MRS GRUNDY TO MR BRIGHT

MRS GRUNDY ON FOREIGN AFFAIRS

Mrs Grundy Comes to Scotland

MUSIC OF SCOTCH WATERFOWL

Mrs MacGrundy. I

II

III

A Spot of Detective Work

The Victorian Age

Scotswomen

Grundy versus MacGrundy

MacGrundy in the Highlands

Interlude on Strychnine

Grundy versus the Old Lady of Threadneedle Street

Introductory

I

II

III

IV

V

VI

VII

VIII

IX

X

Women in Scotland from Left Review 1936

About the Author. IMAGINED SELVES

Copyright

Отрывок из книги

This volume gathers together, for the first time, some of the real and the imagined lives of Willa Muir, one of the finest female intellectuals that Scotland has produced this century. Many of her works have been out of print for more than fifty years; others have never yet been published. Here, at last, is another major missing piece from the jigsaw of Scottish women’s writing.

Willa Muir is an enigmatic character. She prided herself upon her forthright honesty and conversational bluntness; yet behind the façade of robust simplicity lurked a muddle of conflicting ideologies and multiple selves. Her life embodies the contradictions and paradoxes which suffuse her writing, lending it a sense of rich and troubled tension. She was a Scot who resented Scotland, although her writing is obsessively Scottish in its themes and attitudes. She was an enthusiastic, evangelising champion of gender equality; yet she voluntarily sacrificed her own identity to that of ‘the poet’s wife’. She was a committed reformer who never aligned herself with any political or ideological movement. She was a catalyst for the minds of philosophers and artists. She presided over cultural coteries in the Scotland of MacDiarmid’s Renaissance, and the 1930s London of Eliot, Spender and Pound. She won universal admiration for her conversational brilliance and energy as well as for the power of her mind. And yet, in spite of all this, her own publications were greeted with a surprising and resounding indifference. This volume proves that they were, in fact, often ground-breaking and progressive insights into central issues of culture and gender.

.....

Mabel could not resist the reflection that Hector had survived more shameless facts than unconcealed chamberpots. Nor was Elizabeth likely to be a stickler for propriety.

The flicker of mirth in her face did not escape Aunt Janet, who became almost voluminous as she enfolded young Mrs John in benevolence.

.....

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