A Handbook of Illustration

A Handbook of Illustration
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"A Handbook of Illustration" by A. Horsley Hinton. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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A. Horsley Hinton. A Handbook of Illustration

A Handbook of Illustration

Table of Contents

Authors preface

A HANDBOOK OF ILLUSTRATION

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

Half-Tone Process

CHAPTER V

I. Photograms

CHAPTER VI

CHAPTER VII

CHAPTER VIII

CHAPTER IX

CHAPTER X

CHAPTER XI

Drawings in Pencil or Chalk on Rough Papers

CHAPTER XII

PRICE LIST—Plain, Orthochromatic and Strippers

Footnotes:

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A. Horsley Hinton

Published by Good Press, 2019

.....

Perhaps the simplest and most spontaneous form of illustration is seen when one is describing a position or locality, and takes pencil and paper to draw a rough plan showing this or that road, cross-road, turning, &c. We do this without any forethought, without any artistic ability, and never for a moment considering that we are fulfilling the first theoretical function of the illustrator, and we make this sketch-plan partly because we could not so graphically describe what we wish in words; and, again, the drawing will produce a more lasting impression upon the person appealed to, and that without so great an effort of memory on his part. "Seeing is believing," and to see is also to remember. It is the same with the diagrams which illustrate the problems of Euclid, a tourist's map, an architect's plan; these are all illustrations of a diagrammatic kind.

Only a little higher in the scale are the illustrations in scientific and physiological books. I say higher, because of the difficulties attaching to the photographing of such objects, and their more complex forms, which sometimes necessitate their being drawn from the objects at first hand by one possessing some amount of skill as a draughtsman. But the intention is to explain the text, added to which is perhaps the special office of enabling the student to recognise and identify the particular animal or vegetable structure, or a certain rock formation or crystal, when found; for which purpose it is of primary importance that the essential and specific characters of the particular object are carefully portrayed, and the entire figure be of faultless accuracy.

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