A Handbook of Illustration
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A. Horsley Hinton. A Handbook of Illustration
A Handbook of Illustration
Table of Contents
Authors preface
A HANDBOOK OF ILLUSTRATION
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
Half-Tone Process
CHAPTER V
I. Photograms
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
Drawings in Pencil or Chalk on Rough Papers
CHAPTER XII
PRICE LIST—Plain, Orthochromatic and Strippers
Footnotes:
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A. Horsley Hinton
Published by Good Press, 2019
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Perhaps the simplest and most spontaneous form of illustration is seen when one is describing a position or locality, and takes pencil and paper to draw a rough plan showing this or that road, cross-road, turning, &c. We do this without any forethought, without any artistic ability, and never for a moment considering that we are fulfilling the first theoretical function of the illustrator, and we make this sketch-plan partly because we could not so graphically describe what we wish in words; and, again, the drawing will produce a more lasting impression upon the person appealed to, and that without so great an effort of memory on his part. "Seeing is believing," and to see is also to remember. It is the same with the diagrams which illustrate the problems of Euclid, a tourist's map, an architect's plan; these are all illustrations of a diagrammatic kind.
Only a little higher in the scale are the illustrations in scientific and physiological books. I say higher, because of the difficulties attaching to the photographing of such objects, and their more complex forms, which sometimes necessitate their being drawn from the objects at first hand by one possessing some amount of skill as a draughtsman. But the intention is to explain the text, added to which is perhaps the special office of enabling the student to recognise and identify the particular animal or vegetable structure, or a certain rock formation or crystal, when found; for which purpose it is of primary importance that the essential and specific characters of the particular object are carefully portrayed, and the entire figure be of faultless accuracy.
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