Two Novels: Jealousy and In the Labyrinth

Two Novels: Jealousy and In the Labyrinth
Автор книги: id книги: 1568395     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 1675,23 руб.     (16,33$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Контркультура Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9780802190536 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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Here, in one volume, are two remarkable novels by the chief spokesman of the so-called “new novel” which has caused such discussion and aroused such controversy. “Jealousy,” said the New York Times Book Review “is a technical masterpiece, impeccably contrived.” “It is an exhilarating challenge,” said the San Francisco Chronicle. The Times Literary Supplement of London called Robbe-Grillet an “incomparable artist” and the Guardian termed Jealousy “an extraordinary book.” In his native France, leading critic Maurice Nadeau wrote in France-Observateur that “In the Labyrinth is better than an excellent novel: it is a great work of literature,” and fellow novelist and critic Claude Roy judged the same work Robbe-Grillet’s “best book,” while here in America the “Parade of Books” column called In the Labyrinth “a highly emotional experience for the reader” and went on to predict: “Robbe-Grillet will take his place in world literature as a successor of Balzac and Proust.”This volume, which offers incisive essays on Robbe-Grillet by Professor Bruce Morrissette of the University of Chicago and by French critics Roland Barthes and Anne Minor, also contains a helpful bibliography of writings by and about the author.

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Alain Robbe-Grillet. Two Novels: Jealousy and In the Labyrinth

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TWO NOVELS BY ROBBE-GRILLET

PUBLISHED BY GROVE PRESS

.....

Having reached the level portion of the road, just above the rocky outcrop that marks the end of the plateau, the truck shifts gears and continues with a less muffled rumble. Then the sound gradually fades as it drives off east, through the scorched brush dotted with motionless trees, toward the next plantation—Franck's.

The bedroom window—the one nearest the hallway—opens outward. The upper part of A . . .’s body is framed within it. She says “Hello” in the playful tone of someone who has slept well and awakened in a good mood; or of someone who prefers not to show what she is thinking about—if anything—and always flashes the same smile, on principle; the same smile, which can be interpreted as derision just as well as affection, or the total absence of any feeling whatever.

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