Marjorie Daw

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August 9, 1872.

My Dear Jack: I had a line from Dillon this morning, and was rejoiced to learn that your hurt is not so bad as reported. Like a certain personage, you are not so black and blue as you are painted. Dillon will put you on your pins again in two to three weeks, if you will only have patience and follow his counsels. Did you get my note of last Wednesday? I was greatly troubled when I heard of the accident.

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I wish I were a novelist. This old house, with its sanded floors and high wainscots, and its narrow windows looking out upon a cluster of pines that turn themselves into aeolian harps every time the wind blows, would be the place in which to write a summer romance. It should be a story with the odors of the forest and the breath of the sea in it. It should be a novel like one of that Russian fellow’s—what’s his name?—Tourguenieff, Turguenef, Turgenif, Toorguniff, Turgenjew—nobody knows how to spell him. Yet I wonder if even a Liza or an Alexandra Paulovna could stir the heart of a man who has constant twinges in his leg. I wonder if one of our own Yankee girls of the best type, haughty and spirituelle, would be of any comfort to you in your present deplorable condition. If I thought so, I would hasten down to the Surf House and catch one for you; or, better still, I would find you one over the way.

Picture to yourself a large white house just across the road, nearly opposite our cottage. It is not a house, but a mansion, built, perhaps, in the colonial period, with rambling extensions, and gambrel roof, and a wide piazza on three sides—a self-possessed, high-bred piece of architecture, with its nose in the air. It stands back from the road, and has an obsequious retinue of fringed elms and oaks and weeping willows. Sometimes in the morning, and oftener in the afternoon, when the sun has withdrawn from that part of the mansions, a young woman appears on the piazza with some mysterious Penelope web of embroidery in her hand, or a book. There is a hammock over there—of pineapple fibre, it looks from here. A hammock is very becoming when one is eighteen, and has golden hair, and dark eyes, and an emerald-colored illusion dress looped up after the fashion of a Dresden china shepherdess, and is chaussee like a belle of the time of Louis Quatorze. All this splendor goes into that hammock, and sways there like a pond-lily in the golden afternoon. The window of my bedroom looks down on that piazza—and so do I.

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