Collecting Japanese Antiques

Collecting Japanese Antiques
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Collecting Japanese Antiques is an excellent overview of the uniquely Japanese aesthetic and how it relates to Japanese culture. From the time Japan started trading with the West in the sixteenth century, Japanese arts and crafts have intrigued and delighted Westerners, especially lacquer, screens, swords and porcelain. Antique hunters will benefit from the practical and cautionary advice in this book; newcomers will appreciate information on the basics of collecting Japanese antiques; while other sections might reawaken interest in experienced collectors. Striking photographs throughout make this art and antiques book a must for collectors and lovers of Japanese art. Chapters include:Japan's Art HeritageCollecting for Fun and with WisdomScreens and ScrollsUkiyo-e and Other PrintsSagemonoCeramicsFurnitureTextilesLacquerwareCloisonneSculpture and MetalworkSwords and ArmorTea Ceremony UtensilsDollsFlower Baskets

Оглавление

Alistair Seton. Collecting Japanese Antiques

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JAPANESE

ANTIQUES

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Though the word "dwarf" springs to mind, most bonsai trees are standard species. Occasionally, bonsai lovers search in wild, windswept places for naturally occurring miniatures. Trees are primarily kept small by deliberate pruning, using shallow containers, pinching off new growth, and repotting every year or two. Heights range from some 2 inches (5 cm) to 3 feet (1 m). The container is often oval for deciduous trees and rectangular for evergreens, but it also depends on the style. Glazed pots work well with flowering trees, while unglazed pots give a look of age. Styles like upright, slanting, cascading, twisting trunk, weeping cascade, twin trunk, clumped or forest, and clinging are self-explanatory. In all cases, asymmetry is de rigueur (never planted in the middle, and leaning from the outside to the inside if it leans), as is a good balance between the pot and the tree's size and height.

A natural look, achieved with no evidence of human tampering, matters too. Usually one side is the front or viewing side. Traditionally, a tree is wider at the base and then slimmer, but bunjin (literati scholars) liked to joke and do it the other way round. People talk of a tri-relationship between life (or deity), the bonsai grower, and the tree, while the form of the tree often turns out to be triangular, to please the eye. The grower's nature matters too; he must have all the virtues of patience.

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