Hey Days

Hey Days
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Описание книги

Alister Kershaw was a member of the lively crew of poets, painters, musicians and marginal madcaps who made up Melbourne's artistic avant-garde in the Thirties and Forties. In this book he recalls some of the people he knew in those distant heydays.<br /> <br />Here are Albert Tucker and James Gleeson, who were savaged by Kershaw in a notorious satirical poem but who later became good friends of his. The youthful Max Harris is depicted with affectionate irony although his fellow publisher John Reed gets thoroughly roughed up, as does the Marxist critic Bernard Smith. Sir Sidney Nolan's admirers will be scandalised by Kershaw's disrespectful attitude, in marked contrast to his admiration for Adrian Lawlor – writer, painter and sublime eccentric.

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Alister Kershaw. Hey Days

ACKNOWLEDGEMENTS

INTRODUCTION

ONE

TWO

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

INDEX

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Alister Kershaw was born in Melbourne in 1921. He contributed to Angry Penguins, Comment and Art in Australia prior to his departure for Europe in 1947, where he broadcast for the BBC. He moved to France in 1948, to work as secretary to the writer Richard Aldington. His books include The Lonely Verge (1941), Excellent Stranger (1944), Accent & Hazard (1953), Murder in France (1955), A History of the Guillotine (1958), Adrian Lawlor (1981), The Pleasure of Their Company (1986), Heydays (1991), A Word from Paris (1991), Collected Poems (1993) and Village to Village (1993), and A Second Denunciad (1994)

Kershaw was Paris correspondent for the Australian Broadcasting Commission throughout the 1960s, and lived in a small village in the Sancerre region of the Loire Valley till his death in 1996.

.....

One of us tried a long shot: ‘Convoluted?’

‘No, no, no’ and then, exhaling with the vast relief of a man who has at last succeeded in dislodging a fishbone in his throat, ‘Helicoidal!’ We felt like applauding.

.....

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