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Introduction
Chapter 1
People want to laugh all the time
Chapter 2
There are other situations
Chapter 3
The last battle. Smart vs. Traditional
Chapter 4
They will do everything themselves
Chapter 5
The people who look back
Chapter 6
The Modern Warrior
Chapter 7
How asians turn into personalities
Chapter 8
After the restaurant
Chapter 9
Napoleon and Hitler
Chapter 10
«I’m not like that!»
Chapter 11
Shorties
Chapter 12
Blind or sighted revenge
Chapter 13
Why do they give birth?
Chapter 14
Evolution backward or the evolution of a farce
Chapter 15
What is an idea? It is form
Chapter 16
Who gets into the elite of the empire and for what
Chapter 17
Last president of USSR Gorbachev in the mirror of group baseness
Chapter 18
Remid loop
Chapter 19
A postmodern man. Where is he from?
Chapter 20
Why is everyone lying around now?
Chapter 21
What is democracy really?
Chapter 22
Could Charlie Chaplin become president?
Chapter 23
How Russian professionals became unnecessary
Chapter 24
Why there is everyone lying around
Chapter 25
Liz Truss's nuclear smile
Chapter 26
Democracy is the violence of petty egos. This is the dictatorship of the crowd
Chapter 27
Now America needs a leader, not a clown
Chapter 28
The Death of Europe
Chapter 29
Erdogan
Chapter 30
Heroes and Clowns
Chapter 31
The world’s conscience has disappeared
Chapter 32
Worse than me
Chapter 33
«Don’t make yourself an idol»
Chapter 34
Everything is under their control
Famous director Ridley Scott very accurately remarked after the box office fiasco of his film The Last duel: "I think what it boils down to – what we've got today [are] the audiences who were brought up on these f***ing cell phones. The millennian do not ever want to be taught anything unless you are told it on the cell phone».
Ridley Scott is, of course, a monster of Hollywood directing; well, what do we care about the crisis of American cinema? However, we still have a case. Ignoring and even rejecting any classical, therefore, traditional direction at the same time is already a total crisis of world culture. Where is that audience increasing if the mass show industry loses an audience?
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Actually, why should they change if that's what you want?
The Zerots are not just unwilling to change; they are simply not trifles on the example of the clowns of democracy, to which everyone is accustomed. Modern people do not think strategically, do not plan, and do not anticipate fate for years before; they would like to live today's day to the end and have fun, and Zerot is not. The Zerots don't care about modern dance. They live like the characters of the Bible. They don't just live for a few centuries. It doesn't happen that way. That's about how all the feudal lords of the nobility think. Zerots rule and change places only when the time is right. When he grows up, the replacement will mature. And this replacement is their children. If not their sons, then the most worthy of the relatives changes the ruler. Everything else is the whim of idiots who are used to living with the main characters all their lives in one movie session. And the crisis also plays on the desire to change the rulers. And again, only the selfishness of consumers generates desire for the manager to leave. But he's not leaving. Not because he is waiting for the next election. If he is a Zeroth, he is preparing a replacement for himself. The traditional elite has never consulted with the rabble. Only in very wild times, when anyone could reach the leader, would the leader yield. Well, then, not everyone would dare to take responsibility for the life of the people. The elite is the elite. While some just live, and perform the function of life from birth to old age, others are already waiting for death. The rabble is afraid of death, Zeroth is preparing for it. Zeroth cares what they say about him. The Zerots inherit their name.
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