A Holy Terror / Настоящее чудовище

A Holy Terror / Настоящее чудовище
Авторы книги: id книги: 3101633     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 199 руб.     (2,25$) Читать книгу Купить и скачать книгу Электронная книга Жанр: Правообладатель и/или издательство: Издательство АСТ Дата публикации, год издания: 1882 Дата добавления в каталог КнигаЛит: ISBN: 978-5-17-164274-7 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 12+ Отрывок из книги

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Уже не боитесь английского? Попробуйте справиться с «А Holy Terror» Амброза Бирса! Амброз Бирс – американский журналист и военный, таинственно исчезнувший во время Мексиканской революции. Бирс является признанным мастером коротких рассказов, стоящих наравне с историями Г.Ф. Лавкрафта и Э. А. По. Сборник издан на английском языке, без сокращений, адаптации и перевода. Наслаждайтесь захватывающими рассказами А. Бирса в оригинале!

Отрывок из книги

There was an entire lack of interest in the latest arrival at Hurdy-Gurdy. He was not even christened with the picturesquely descriptive nick-name which is so frequently a mining camp's word of welcome to the newcomer. In almost any other camp thereabout this circumstance would of itself have secured him some such appellation as “The White-headed Conundrum,” or “No Sarvey”-an expression naively supposed to suggest to quick intelligences the Spanish quien sabe. He came without provoking a ripple of concern upon the social surface of Hurdy-Gurdy – a place which to the general Californian contempt of men's personal history superadded a local indifference of its own. The time was long past when it was of any importance who came there, or if anybody came. No one was living at Hurdy-Gurdy.

Two years before, the camp had boasted a stirring population of two or three thousand males and not fewer than a dozen females. A majority of the former had done a few weeks' earnest work in demonstrating, to the disgust of the latter, the singularly mendacious character of the person whose ingenious tales of rich gold deposits had lured them thither – work, by the way, in which there was as little mental satisfaction as pecuniary profit; for a bullet from the pistol of a public-spirited citizen had put that imaginative gentleman beyond the reach of aspersion on the third day of the camp's existence. Still, his fiction had a certain foundation in fact, and many had lingered a considerable time in and about Hurdy-Gurdy, though now all had been long gone.

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It was during this lull in the battle that he became sensible of a faint, sickening odor. At first he thought it was that of a rattle-snake, and involuntarily tried to look about his feet. They were nearly invisible in the gloom of the grave. A hoarse, gurgling sound, like the death-rattle in a human throat, seemed to come out of the sky, and a moment later a great, black, angular shadow, like the same sound made visible, dropped curving from the topmost branch of the spectral tree, fluttered for an instant before his face and sailed fiercely away into the mist along the creek.

It was the raven. The incident recalled him to a sense of the situation, and again his eyes sought the upright coffin, now illuminated by the moon for half its length. He saw the gleam of the metallic plate and tried without moving to decipher the inscription. Then he fell to speculating upon what was behind it. His creative imagination presented him a vivid picture. The planks no longer seemed an obstacle to his vision and he saw the livid corpse of the dead woman, standing in grave-clothes, and staring vacantly at him, with lidless, shrunken eyes. The lower jaw was fallen, the upper lip drawn away from the uncovered teeth. He could make out a mottled pattern on the hollow cheeks – the maculations of decay. By some mysterious process his mind reverted for the first time that day to the photograph of Mary Matthews. He contrasted its blonde beauty with the forbidding aspect of this dead face – the most beloved object that he knew with the most hideous that he could conceive.

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