Moving Toward Life

Moving Toward Life
Автор книги: id книги: 1568337     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 2234,01 руб.     (20,68$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Кинематограф, театр Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9780819575937 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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<P>Anna Halprin is one of the most important innovators in the history of modern dance, performance art, and post-modern dance. Moving Toward Life brings together for the first time her essays, interviews, manifestos, and teaching materials, along with over 100 illustrations, providing a rich account of the work that radicalized an entire generation of performers.</P><P>Since the late 1950s, Halprin has been at the forefront of experiments in dance, from improvisation and street theatre to dances in the environment and healing dances. A brief overview of Halprin's career shows how her work has prefigured – and transfigured – crucial developments in postmodern dance. In the 1960s, Halprin invented the «workshop,» and in the wake of the Watts riots, her multiracial company broke boundaries in their confrontational political performances. In the 1970s, she organized «community rituals» to explore how individual creativity feeds positively into group dynamics. These healing social events led to her current work with cancer survivors and people challenging AIDS and their caregivers.</P><P>Depicting Halprin's deep commitment to social change, Moving Toward Life presents an engaging, critical document of the life of one of the most influential and least known luminaries of American dance. Sally Banes and Janice Ross join Rachel Kaplan in providing introductory essays to sections of the book.</P>

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Anna Halprin. Moving Toward Life

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MOVING TOWARD LIFE

Frontispiece: Anna Halprin, The Prophetess, 1955. Costume designed by Lawrence Halprin and Martha Graham.

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So I had an opportunity to deal with that issue at this conference. I just had the men dance alone. And had the women just watch. Then I had the women dance alone and I had the men just watch. And after this whole conference in which everybody was intellectualizing about the male and female issues and that we’re alike and that the only reason that we’re different is because of conditioning processes and so forth, we did this dance. They had exactly the same score. And it was just astonishing. I mean, it was funny, we all laughed at ourselves. We cried, we got so excited, because it was such a relief for the men to be together, to do their work and to work as a team, and to do their kind of movement. And the women were so delighted to be together as women and they had a totally different tone about what they did. Then when the men and women came together, they came together with mutual respect. That was truly a transformative experience.

The issues we had been dealing with at the conference were not the real issue. The issue was—we are different and it doesn’t matter that we’re different. What matters is that we’re able to respect our differences and bring those differences together and find our commonality.

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