Drawing the Surface of Dance

Drawing the Surface of Dance
Автор книги: id книги: 1568305     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 1618,35 руб.     (17,51$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Музыка, балет Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9780819579720 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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<P>Soloing on the page, choreographer Annie-B Parson rethinks choreography as dance on paper. Parson draws her dances into new graphic structures calling attention to the visual facts of the materiality of each dance work she has made. These drawings serve as both maps of her pieces in the aftermath of performance, and a consideration of the elements of dance itself. Divided into three chapters, the book opens with diagrams of the objects in each of her pieces grouped into chart-structures. These charts reconsider her dances both from the perspective of the resonance of things, and for their abstract compositional properties. In chapter two, Parson delves into the choreographic mind, charting such ideas as an equality in the perception of objects and movement, and the poetics of a kinetic grammar. Charts of erasure, layering and language serve as dynamic and prismatic tools for dance making. Lastly, nodding to the history of chance operations in dance, Parson creates a generative card game of 52 compositional elements for artists of any medium to cut out and play as a method for creating new material. Within the duality of form and content, this book explores the meanings that form itself holds, and Parson's visual maps of choreographic ideas inspire new thinking around the shared elements underneath all art making.</P>

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Annie-B Parson. Drawing the Surface of Dance

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Drawing the Surface of Dance

In the aftermath of a performance, choreography is a discarded thing, the paper in the gutter that looks like a dead bird and reminds you how complex the body of everything is.

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When you go on a trip, and come home, there is a closure to putting everything away in your drawers. The drawings put the objects back in the drawers. They’re the old card catalogues in the library. They reference decaying books in broken stacks in libraries that you walk to one morning, but now they’re condos or something, you’re not sure.

Drawing is paper as theater, manifesting these ideas once again in space, but this time in a two dimensional space, and in a driverless durational mode. Here’s how duration works in drawing: The creation of the drawing is happening in real time, sometimes in an instant and other times with great muscle and pain, a kind of slow motion. And the charts are structured to be viewed in quick time, a glancing. But, the lack of durational control for the reading of the drawing, from a choreographic stance, is freeing.

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