The Bet, and other stories
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Оглавление
Anton Pavlovich Chekhov. The Bet, and other stories
The Bet, and other stories
Table of Contents
I
II
A TEDIOUS STORY (FROM AN OLD MAN'S JOURNAL) I
II
III
IV
V
VI
THE FIT. I
II
III
IV
V
VI
VII
MISFORTUNE
AFTER THE THEATRE
THAT WRETCHED BOY
ENEMIES
A TRIFLING OCCURRENCE
A GENTLEMAN FRIEND
OVERWHELMING SENSATIONS
EXPENSIVE LESSONS
A LIVING CALENDAR
OLD AGE
Отрывок из книги
Anton Pavlovich Chekhov
Published by Good Press, 2019
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And we march in, in this order: Nicolas with the preparations or the atlases in front, myself next, and after me, the cart-horse, modestly hanging his head; or, if necessary, a corpse on a stretcher in front and behind the corpse Nicolas and so on. The students rise when I appear, then sit down and the noise of the sea is suddenly still. Calm begins.
I know what I will lecture about, but I know nothing of how I will lecture, where I will begin and where I will end. There is not a single sentence ready in my brain. But as soon as I glance at the audience, sitting around me in an amphitheatre, and utter the stereotyped "In our last lecture we ended with. … " and the sentences fly out of my soul in a long line—then it is full steam ahead. I speak with irresistible speed, and with passion, and it seems as though no earthly power could check the current of my speech. In order to lecture well, that is without being wearisome and to the listener's profit, besides talent you must have the knack of it and experience; you must have a clear idea both of your own powers, of the people to whom you are lecturing, and of the subject of your remarks. Moreover, you must be quick in the uptake, keep a sharp eye open, and never for a moment lose your field of vision.
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