Lysistrata - The Original Classic Edition

Lysistrata - The Original Classic Edition
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Lysistrata is a favorite of the Greek plays-its never pompous or overbearing, and it never overwhelms itself with flowery prose. In addition, its one of the few Greek plays youll read that portrays women as genuine human beings rather than murderers, decorations, or idiots. Theyre smart, sexy, and socially aware, especially in a time when they were very seriously repressed. <p> Lysistrata is an intelligent Athenian woman who is sick and tired of the Greek city-states warring against each other. She calls all the women she can round up and comes up with a strategy to end the wars: Keep away from their husbands beds, and the men will make peace with other cities to make peace with their wives. After a great deal of whining, the women agree to deprive their husbands of sex until peace is achieved. But thats only the beginning of what Lysistrata has planned… <p> Too many feminist tales end up being heavy-handed-though women are on the side of peace and right in this, it doesnt bang you over the head. The men are human as well. The comedy is sly and witty (though full of mild sex talk–nothing too raunchy) and the scene where one young woman unmercifully teases her love-hungry husband will have you rolling. <p> Its a story about the power that women can wield and the lengths that they can go to. <p> Read, laugh, guffaw! You wont regret it!

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Aristophanes Aristophanes. Lysistrata - The Original Classic Edition

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Lysistrata, by Aristophanes

Title: Lysistrata Author: Aristophanes Commentator: Jack Lindsay Illustrator: Norman Lindsay

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And here we return to the question of the immorality of Lysistrata. First we may inquire: is it possible for a man whose work has so tremendous a significance in the spiritual development of mankind--and I do not think anyone nowadays doubts that a work of art is the sole stabilizing force that exists for life--is it possible for a man who stands so grandly at head of an immense stream of liberating effort to write an immoral work? Surely the only enduring moral virtue which can be claimed is for that which moves to

more power, beauty and delight in the future? The plea that the question of changing customs arises is not valid, for customs ratified by Aristophanes, by Rabelais, by Shakespeare, have no right to change. If they have changed, let us try immediately to return from our disgraceful refinements to the nobler and more rarefied heights of lyric laughter, tragic intensity, and wit, for we cannot have the first two without the last. And anyhow, how can a social custom claim precedence over the undying material of the senses and the emotions of man, over the very generating forces of life?

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