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Arthur Hugh Clough. Poems of Arthur Hugh Clough
Poems of Arthur Hugh Clough
Table of Contents
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IX
A SONG OF AUTUMN
τὸ καλόν
Χρυσέα κλῄς ἐπὶ γλώσσᾳ
THE SILVER WEDDING. [2]
THE MUSIC OF THE WORLD AND OF THE SOUL
I
II
LOVE, NOT DUTY
LOVE AND REASON
Ὁ Θεὸς μετὰ σοῦ! [3]
WIRKUNG IN DER FERNE
ἐπὶ Λάτμῳ
A PROTEST
SIC ITUR
PARTING
QUA CURSUM VENTUS
‘WEN GOTT BETRÜGT, IST WOHL BETROGEN.’
POEMS ON RELIGIOUS AND BIBLICAL SUBJECTS
FRAGMENTS OF THE MYSTERY OF THE FALL. [4]
Scene I. Adam and Eve
Scene II. Adam, alone
Scene III (‘Now the birth of Cain was in this wise.’) Adam and Eve
Scene IV. Adam and Eve
Scene V. Adam with Cain and Abel
Scene VI. Abel alone
Scene VII. Cain alone
Scene VIII. Adam and Eve
Scene IX. Cain alone with the body of Abel
Scene X. Adam alone
Scene XI. Cain and Eve
Scene XIII. Adam and Cain
Scene XIV. Adam’s Vision
THE SONG OF LAMECH
GENESIS XXIV
JACOB
JACOB’S WIVES
THE NEW SINAI
QUI LABORAT, ORAT
ὕμνος ἄυμνος
THE HIDDEN LOVE
SHADOW AND LIGHT
‘WITH WHOM IS NO VARIABLENESS, NEITHER SHADOW OF TURNING.’
IN STRATIS VIARUM
‘PERCHÈ PENSA? PENSANDO S’INVECCHIA.’
‘O THOU OF LITTLE FAITH.’
‘THROUGH A GLASS DARKLY.’
AH! YET CONSIDER IT AGAIN!
NOLI ÆMULARI
‘WHAT WENT YE OUT FOR TO SEE?’
EPI-STRAUSS-IUM
THE SHADOW. [5]
EASTER DAY. NAPLES, 1849
EASTER DAY. II
DIPSYCHUS
PROLOGUE TO DIPSYCHUS
DIPSYCHUS. [6] Part I
Scene I.—The Piazza at Venice, 9 p.m. Dipsychus and the Spirit
Scene II.—The Public Garden
Scene III.—At the Hotel
Scene IV.—On the Piazza
Scene V.—The Lido
Part II
Scene I.—The interior Arcade of the Doge’s Palace
Scene III.—The Academy at Venice
Scene IV.—In St. Mark’s. Dipsychus alone
Scene V.—The Piazza at Night
Scene VII.—At Torcello.Dipsychus alone
Scene VIII.—In the Piazza
Scene IX.—In the Public Garden
EPILOGUE TO DIPSYCHUS
DIPSYCHUS CONTINUED. A FRAGMENT
Scene I.—In London. Dipsychus in his Study
Scene II.—In Westminster Hall
Scene III.—Dipsychus in his own house, alone
POEMS ON LIFE AND DUTY
DUTY
LIFE IS STRUGGLE
IN THE GREAT METROPOLIS
THE LATEST DECALOGUE
THE QUESTIONING SPIRIT
BETHESDA. A SEQUEL
HOPE EVERMORE AND BELIEVE!
BLESSED ARE THEY THAT HAVE NOT SEEN!
COLD COMFORT
SEHNSUCHT
HIGH AND LOW
ALL IS WELL
πάντα ῥεῖ· οὐδὲν μένει
THE STREAM OF LIFE
IN A LONDON SQUARE
THE. BOTHIE OF TOBER-NA-VUOLICH: A LONG-VACATION PASTORAL
THE BOTHIE OF TOBER-NA-VUOLICH
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II
III
V
VI
VII
IX
IDYLLIC SKETCHES
ITE DOMUM SATURÆ, VENIT HESPERUS
A LONDON IDYLL
NATURA NATURANS. [12]
AMOURS DE VOYAGE
AMOURS DE VOYAGE
CANTO I
i. Claude To Eustace
ii. Claude to Eustace
iii. Georgina Trevellyn to Louisa ——
iv. Claude to Eustace
v. Claude to Eustace
vi. Claude to Eustace
vii. Claude to Eustace
viii. Claude to Eustace
ix. Claude to Eustace
x. Claude to Eustace
xi. Claude to Eustace
xii. Claude to Eustace
xiii. Georgina Trevellyn to Louisa ——
P.S. by Mary Trevellyn
CANTO II
i. Claude to Eustace
ii. Claude to Eustace
iii. Claude to Eustace
iv. Claude to Eustace
v. Claude to Eustace
vi. Claude to Eustace
viii. Georgina Trevellyn to Louisa ——
ix. Claude to Eustace
x. Claude to Eustace
xi. Claude to Eustace
xii. Claude to Eustace
xiii. Claude to Eustace
xiv. Claude to Eustace
xv. Georgina Trevellyn to Louisa ——
P.S. by Mary Trevellyn
P.S. by Georgina Trevellyn
CANTO III
i. Mary Trevellyn to Miss Roper,—on the way to Florence
ii. Claude to Eustace,—from Rome
iii. Claude to Eustace
iv. Claude to Eustace
v. Mary Trevellyn to Miss Roper,—from Florence
vi. Claude to Eustace
vii. Claude to Eustace
viii. Claude to Eustace
ix. Claude to Eustace
x. Claude to Eustace
xi. Claude to Eustace
xii. Mary Trevellyn to Miss Roper
CANTO IV
i. Claude to Eustace,—from Florence
ii. Claude to Eustace,—from Bellaggio
iii. Claude to Eustace,—from Bellaggio
iv. Claude to Eustace,—from Bellaggio
v. Claude to Eustace,—from Bellaggio
vi. Mary Trevellyn, from Lucerne, to Miss Roper, at Florence
CANTO V
i. Mary Trevellyn, at Lucerne, to Miss Roper, at Florence
ii. Claude to Eustace
iii. Mary Trevellyn to Miss Roper,—at Lucca Baths
iv. Claude to Eustace
v. Claude to Eustace
vi. Claude to Eustace
vii. Mary Trevellyn to Miss Roper
viii. Claude to Eustace
ix. Claude to Eustace
x. Claude to Eustace,—from Rome
xi. Mary Trevellyn to Miss Roper
SEVEN SONNETS. ON. THE THOUGHT OF DEATH
SEVEN SONNETS ON THE THOUGHT OF DEATH. [15]
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II
III
IV
V
VI
VII
MARI MAGNO. OR. TALES ON BOARD
MARI MAGNO or TALES ON BOARD. [16]
THE LAWYER’S FIRST TALE.Primitiæ, or Third Cousins
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II
III
IV
THE CLERGYMAN’S FIRST TALE.Love is fellow-service
MY TALE.A la Banquette, or a Modern Pilgrimage
THE MATE’S STORY
THE CLERGYMAN’S SECOND TALE
THE LAWYER’S SECOND TALE.Christian
SONGS IN ABSENCE
SONGS IN ABSENCE. [17]
ESSAYS IN CLASSICAL METRES
TRANSLATIONS OF ILIAD
(I. 1-32.)
(I. 121-218.)
ELEGIACS
I
II
ALCAICS
ACTÆON. [18]
MISCELLANEOUS POEMS
COME, POET, COME! [19]
THE DREAM LAND
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II
III
IV
IN THE DEPTHS
DARKNESS
TWO MOODS
YOUTH AND AGE
SOLVITUR ACRIS HIEMS
THESIS AND ANTITHESIS
ἀνεμώλια
COLUMBUS
EVEN THE WINDS AND THE SEA OBEY
REPOSE IN EGYPT
TO A SLEEPING CHILD
TRANSLATIONS FROM GOETHE
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II
III
IV
V
VI
URANUS. [20]
SELENE
AT ROME
LAST WORDS. NAPOLEON AND WELLINGTON
NAPOLEON
PESCHIERA
ALTERAM PARTEM
SAY NOT THE STRUGGLE NOUGHT AVAILETH
Footnote
INDEX. OF. THE FIRST LINES
