Rembrandt code
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Оглавление
Артур Задикян. Rembrandt code
Prolog
Chapter 1: On People and Not…
Chapter 3: The Phantom
Chapter 6: A telepath at will
Chapter 7: The 18+ Experiment
Chapter 8: Transmigration of Souls
Chapter 11The Heirs of the Great Combiner
Chapter 13: Clones, synapses, and the like
Chapter 16: Revolutionary Theory
Chapter 17: Thought is a wave
Chapter 18: The Dilemma of clone identity
Chapter 19: Lies and Revelation
Epilogue
Отрывок из книги
In the process of gathering information for this book, I used classified material, as usual. Secret in fact. That is, you understand, secret materials are, to a certain extent, classified. In the world of the Internet, it's hard enough to call something as such.
In addition, I would like to clarify (since I write in the science fiction genre) some attitudes : people want to read something plausible, that is, fiction backed by a solid scientific basis; in other words, they don't want those two words in that combination to be disconnected. Accordingly, they do not want the book to be mere fantasy, nor do they want it to be a boring scientific read. I hope you get my point, though I will still clarify: if the narrative is boring science, then no one will read it as fiction . So, once again: if the narration is purely scientific, then fans of fiction will not be interested in it, and if the text is just fiction, then it will not be appreciated by fans of science fiction. And depts of this science fiction want to see a fictional world, which, by the way, all literary writers draw, but with scientific validity, but only squeeze of facts will not read t. This is the difficulty: where to find that line that separates fiction, just fiction (from fairy tales to fantasy, all the way to love lyrics), and science-based narrative about what we imagine?
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– Am I sure?! What do you say now?
– And where did you get this data from?
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