Narrative Ontology

Автор книги: Axel Hutter id книги: 2208692 Оценка: 0.0 Голосов: 0 Отзывы, комментарии: 0 2529,1 руб. (27,56$) Читать книгу Купить и скачать книгу Электронная книга Жанр: Афоризмы и цитаты Правообладатель и/или издательство: John Wiley & Sons Limited Дата добавления в каталог КнигаЛит: 21 ноября 2021, 16:32 ISBN: 9781509543939 Скачать фрагмент в формате fb2 fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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This book is a critical inquiry into three ideas that have been at the heart of philosophical reflection since time immemorial: freedom, God and immortality. Their inherent connection has disappeared from our thought. We barely pay attention to the latter two ideas, and the notion of freedom is used so loosely today that it has become vacuous. Axel Hutter’s book seeks to remind philosophy of its distinct task: only in understanding itself as human self-knowledge that articulates itself in these three ideas will philosophy do justice to its own concept. In developing this line of argument, Hutter finds an ally in Thomas Mann, whose novel Joseph and His Brothers has more to say about freedom, God and immortality than most contemporary philosophy does. Through his reading of Mann’s novel, Hutter explores these three ideas in a distinctive way. He brings out the intimate connection between philosophical self-knowledge and narrative form: Mann’s novel gives expression to the depth of human self-understanding and, thus, demands a genuinely philosophical interpretation. In turn, philosophical concepts are freed from abstractness by resonating with the novel’s motifs and its rich language. Narrative Ontology is both a highly original work of philosophy and a vigorous defence of humanism. It brings together philosophy and literature in a creative way, it will be of great interest to students and scholars in philosophy, literature and the humanities in general.

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Axel Hutter

Translated by Aaron Shoichet

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Nietzsche responds by explicitly distancing himself from the distinction between ‘appearance’ and ‘thing in itself’. ‘“Appearance” is a word that contains many temptations, which is why I avoid it as much as possible’ (1990, 86). He understands the distinction between being and meaning instead in terms of language as a difference between dead and living metaphors. Indeed, ‘we believe we know something about the things themselves when we speak of trees, colours, snow, and flowers; and yet we possess nothing but metaphors for things’ (82–3). Being, which, according to common prejudice, is abstractly opposed to meaning and presupposed by it, is thus itself a form of meaning and, indeed, a derivative – more specifically, a dead and ossified – one. The seemingly ‘objective’ being of reality is thus for Nietzsche the essence of those ‘metaphors that have become worn out and have been drained of sensuous force, coins which have lost their embossing and are now considered as metal and no longer as coins’ (84). But, precisely for this reason, the illusion emerges that we are dealing here with ‘objects’ whose being has nothing in common with meaning and language.

Nietzsche opposes this illusion with his own critique of reason as a critique of language that articulates itself as a critical destruction of an ontology of meaningless and speechless being. That which we grasp as the ‘naked’ objectivity of things, preceding the subject and its language and independent of both, turns out to be a product of the subject and its faculty of speech, indeed a product of the mode of forgetting – for the human being, according to Nietzsche, ‘forgets that the original perceptual metaphors are metaphors and takes them to be the things themselves’ (86).

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Narrative Ontology

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Axel Hutter. Narrative Ontology

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