A Draught of the Blue – An Essence of the Dusk

A Draught of the Blue – An Essence of the Dusk
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Bain Francis William. A Draught of the Blue – An Essence of the Dusk

A Draught of the Blue

Desiderio

Prologue. A Dead Lotus

Love's Looking-Glass

Epilogue. The Break of a Heart

An Essence of the Dusk

A Haunted Beauty

A Total Eclipse

A Fatal Kiss

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The sun goes down, for those alone, who stand on a revolving sphere: and so, in Nature's universal life, Death is but a dissolving view, a word without a meaning: real only to the accidental unit, to whose local and momentary combination it sets a term. Death is a thing of nought, phenomenal, kaleidoscopic: a juggle of the Mother of Illusion, Prakriti or Máyá, whose magic scene not only never dies, but like her own wild animals, sleeps even with an open eye. You never catch her napping. And often, when you think that you have done it, she winks at you, just as it were to show you your mistake. As sometimes, on a hot midsummer day, when the delicate blue smoke from cottage chimneys rises straight into the air, and Nature holds her breath: you think, she is asleep: and all at once, there comes a little whisper, and a ripple passes over all the golden ears of corn, and in another moment, all is still. Or on a cliff that overhangs a glassy sea, you lie and dream, and think, the very water sleeps: and then, a sudden change of colour flushes the ocean opal for only a single instant, and is gone. Or in a wood at noon, you listen to the silence, and a rustle suddenly quivers in the trees, and dies away. Murmurs and echoes: moments and emotions of the pulses of the world: hints and indications, still, small voices more significant than storms, of the never-sleeping thrill and throb of universal action.

"Every tremor gravitation excites in any planet is immediately transmitted to the farthest limits of the system, in oscillations corresponding in their periods with the causes that produce them, like sympathetic notes in music, or vibrations from the deep tones of an organ… The human frame may be regarded as an elastic system, the different parts of which are capable of receiving the tremors of elastic media, and of vibrating in unison with their innumerable undulations."

.....

Then Párwatí said in private to the God: Canst thou not do something for this lovely Siddhá? And Maheshwara replied: This is the nature of women, that for the sake of their single lover, they would annihilate the three worlds. But what has pity to do with the constitution of the universe? Or how can time return again, and all be thrown into confusion, simply to allow two foolish lovers to meet once more? So there is nothing whatever to be done. But Párwatí coaxed him and cajoled him, knowing the power of her two white arms, until at last he said: Since I can refuse thee nothing, and thou art absolutely set upon it, I will, to please thee, cause these two unhappy persons to re-enact their little drama, and taste again the nectar of that love which they so much regret: but only in a dream. For dreams were established by the Creator for this very reason, that a remedy might be found for the irrevocable nature of reality. For that must be as it has been, and cannot be recalled or changed: but anything may happen in a dream. And yet, this pair of lovers would be wiser, were they content to let alone, and leave things as they are. For they will but make their misery more, by the very means they wish to take to lessen and remove it. But be that as it may.

And then, he cast upon the Siddhá a kindly glance. And he said: Silly child, that wouldst be wiser than those who framed the three great worlds, be now consoled. Thou shalt, at least, have thy way, for a little while, and meet the lord of thy heart again, halfway between heaven and earth.

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