Barbara Taylor Bradford’s 4-Book Collection
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Barbara Taylor Bradford. Barbara Taylor Bradford’s 4-Book Collection
Barbara Taylor Bradford’s. 4-Book Collection Voice of the HeartAct of WillThe Women in His LifeDangerous to Know. by. BARBARA TAYLOR BRADFORD
Copyright
Contents
BARBARA TAYLOR BRADFORD. Voice of the Heart
Dedication
Epigraph
Contents
Overture 1978
Chapter One
In the Wings 1979
Chapter Two
Chapter Three
Chapter Four
Act One Downstage Right 1956
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
In the Wings 1979
Chapter Forty
Chapter Forty-One
Act Two Downstage Left 1963–1967
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Chapter Forty-Six
Act Three Centre Stage 1979
Chapter Forty-Seven
Chapter Forty-Eight
Chapter Forty-Nine
Chapter Fifty
Chapter Fifty-One
Chapter Fifty-Two
Chapter Fifty-Three
Finale April 1979
BARBARA TAYLOR BRADFORD. Act of Will
Dedication
Contents
Prologue
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Chapter Forty-Six
Chapter Forty-Seven
Chapter Forty-Eight
Chapter Forty-Nine
Chapter Fifty
Chapter Fifty-One
Chapter Fifty-Two
Epilogue
BARBARA TAYLOR BRADFORD. The Women in His Life
Dedication
Contents
Part One. Maximilian, London – New York 1989
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Part Two. Ursula, Berlin 1938
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Part Three. Theodora, London 1944
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Part Four. Anastasia, Paris 1959
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Chapter Forty-Six
Chapter Forty-Seven
Chapter Forty-Eight
Chapter Forty-Nine
Part Five. Camilla, Tangier 1981
Chapter Fifty
Chapter Fifty-One
Chapter Fifty-Two
Chapter Fifty-Three
Chapter Fifty-Four
Part Six. Adriana, New York 1987
Chapter Fifty-Five
Chapter Fifty-Six
Part Seven. Maximilian, London – Berlin 1989
Chapter Fifty-Seven
Chapter Fifty-Eight
Chapter Fifty-Nine
Chapter Sixty
Bibliography
Glossary
Acknowledgements
BARBARA TAYLOR BRADFORD. Dangerous to Know
Dedication
Epigraph
Contents
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
About the Author
Also by the Author
About the Publisher
Отрывок из книги
Cover
Title Page
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To save money, Francesca and Kim undertook the painting themselves. Wearing old clothes, surrounded by ladders and buckets, and amidst peals of laughter, the two of them happily set about the task, splashing as much paint on each other as on the walls. But they succeeded in doing a relatively professional job, working down from the upper floors to the drawing and dining rooms. Francesca selected fir green for the dining room, repeating the colour of the leather upholstery on the Hepplewhite chairs, and used pristine white paint for the doors, chair rail, and mouldings to offset the dark green walls. The drawing room, which she and Kim had always thought looked barren and cold, acquired a wholly new appearance when the grubby ivory walls were washed with a dark coral paint that was almost terra cotta in tone. Her only purchases, other than the paint, were yards and yards of moss green velvet for new curtains and slipcovers in the drawing room, white damask for the dining room curtains, various pieces of coloured silk for cushions, and new shades for the lamps.
Francesca’s father had a great sense of fair play, and when he at last viewed the finished results he was quick to congratulate her on the miracle she had performed, and his pride in her knew no bounds. The family heirlooms were shown to advantage for the first time in years, and he also had to admit that her improvements had given the house a new graciousness, whilst enhancing its actual value as well. The Earl conceded it was more valuable than ever before, and could readily be turned into cash, being neither entailed nor part of the trust. It struck him that Francesca had shown great foresight, and he determined to repay the thousand pounds as soon as possible. That May, on her nineteenth birthday, he presented her with the gold filigree and topaz necklace which had been made for the Sixth Countess of Langley in 1760. However, this was only on loan to her until his death, when it would pass to Kim, since it was part of the trust.
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