Candida & Selected Correspondence Relating to the Play

Candida & Selected Correspondence Relating to the Play
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The selected correspondence of Bernard Shaw relating to the play Candida contains 249 letters and entries, written between 1889 and 1950. The book represents a significant addition to modern-day understanding of Shaw's play Candida and reveals his thoughts on a wide variety of issues, love affairs und relationships with contemporaries. This publication from a revised edition Plays: Pleasant and Unpleasant. By Bernard Shaw. The Second Vol-ume, containing the four Pleasant Plays published by Constable and Company Ltd., London: 1920 is a hand-made reproduction from the original edition, and remains as true to the original work as possible. The original edition was processed manually by means of a classic editing which ensures the quality of publications and the unrestricted enjoyment of reading. Here are some inspirational book quotes from Bernard Shaw: «The play, which is called Candida, is the most fascinating work in the world.» «I have written THE Mother Play—»Candida"—and I cannot repeat a masterpiece." «I shall never be able to begin a new play until I fall in love with somebody else.» «I assure you in all unhumility I am the greatest dramatist of the XX century.» «There is a Shaw boom on in Germany, because four of my plays have been produced in Vienna, Leipzig, Dresden and Frankfurt.» «But I want the Germans to know me as a philosopher, as an English (or Irish) Nietzsche only ten times cleverer.» «And remember that though we may be no bigger men than Goethe and Schiller, we are standing on their shoulders, and should therefore be able to see farther & do better. And after all, Schiller is only Shaw at the age of 8, and Goethe Shaw at the age of 32.» «I am never wrong. Other people are sometimes—often—nearly always wrong, especially when they disagree with me; but I am omniscient and infallible.» «Until within the last few months, when the success of Fraulein Agnes Sorma as Candida in Berlin was followed by an outbreak of Candidamania in New York, I had nothing to shew in the way of a successful play.» «But everybody likes Candida. Wyndham drops a tear over Candida; Alexander wants the poet made blind so that he can play him with a guarantee of 'sympathy'; Mrs Pat wants to play Candida; Ellen Terry knows she is Candida; Candida is everybody's play except the utter groundlings.» «But I dread success. To have succeeded is to have finished one's business on earth, like the male spider, who is killed by the female the moment he has succeeded in his courtship. I like a state of continual becoming, with a goal in front and not behind. I am a magnificently successful man myself, and so are my knot of friends but nobody knows it except we ourselves…» The book also includes an editor's note to German readers.

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Bernard Shaw. Candida & Selected Correspondence Relating to the Play

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. . . I couldnt come in. All of a sudden it came to me that under the funny circumstances I should not be responsible for my impulses. When I saw you, I might have thrown my arms round your neck and hugged you! I might have been struck shy. The Lord knows what I might or might not have done, and I think H. I. [Henry Irving]might not have seen the joke! (He thinks me crazy, but “good.” It’s t’other way on!)

Would not you like to be somebody’s (anybody’s perhaps!) pleasure for a few moments? Well, you have been my sole delight for the last six weeks, and I’m ever gratefully yours. By the way though, you dont play fair. Your “Saturday” [Review article] was perfect, all but about E. T. You scolded her in private beautifully, but you should first have printed your letter to her. You know perfectly well that in the acting of this “Womanly woman” I’m pretty bad, and you might have said so in The Saturday plain and straight.

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Wretch!—to drag me all the way to Islington for such an inconceivably bad performance. I declare before outraged Heaven that acting is to you and Charrington not an honest night’s work, but a form of reckless self-indulgence. You’d much better have got me to rehearse “A Doll’s House” than “Candida”: it’s all gone to the deepest devil. Rank is literally on his last legs: it is time for C.C. to change to Krogstad, and I strongly advise you to take a turn at Ellen. You have driven a red hot harrow over my heart & soul: I will never enter a theatre again.

59/ To Ellen Terry

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