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Lauer Series in Rhetoric and Composition
Series Editors, Catherine Hobbs and Patricia Sullivan
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We could not have explored these questions with any degree of success without the help of many colleagues. At the risk of forgetting some of them, we wish to thank them here. Our deepest appreciation goes to three fellow members of the graduate seminar on the history of composition who joined us as co-researchers during the early stages of this project: Brian Lehew, Shannon Pennefeather Gardner, and Martin Schleuse. Their contributions to our conversation about historiography invigorated our thinking about the subject, and traces of their research can still be found in these pages: Brian researched creative writing pedagogies (and interviewed Leonard Rubinstein), Shannon worked in basic writing and writing centers, and Martin researched the state of English studies in the 1970s. We are also grateful to the many people who opened their filing cabinets to us, answered our many questions over email and in person, and helped us locate countless traces of the 1970s: Judd Arnold, Thomas Bayer, Wilma Ebbitt, Richard Leo Enos, Jeanne Fahnestock, Robert Frank, Diane Greenfield, Andrea Lunsford, Edgar Knapp, Martha Kolln, Ellen Knodt, Nancy Lowe, Ron Maxwell, Susan McLeod, John Moore, Douglas Park, Thomas Rogers, S. Leonard Rubinstein, Marie Secor, James Sledd, Tilly Warnock, Harvey Wiener, Tom Wilbur, and Richard Young.
We would also like to thank those who have generously read and given us suggestions on earlier versions of this manuscript, including Sharon Crowley, Lisa Ede, Lester Faigley, Michael Halloran, Janice Lauer, and Richard Young. Thanks to colleagues at our 1999 CCCC presentation whose questions and comments prompted important revisions as we developed the manuscript. David Blakesley also provided valuable suggestions and much needed encouragement. Rosalyn Collings Eves assisted in many ways with the preparation of the final manuscript. Finally, thanks to our sidebar contributors, Hugh Burns, Stephen Bernhardt, Jasper Neel, Janice Lauer, Elaine Maimon, John Warnock, Sharon Crowley, and Lester Faigley, whose voices add vital dimension to this history.
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