Writing Fantasy and Science Fiction
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Brian Stableford. Writing Fantasy and Science Fiction
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AUTHOR’S NOTE
This book was originally commissioned by Hodder & Stoughton for their “Teach Yourself” imprint, under which it was published in 1997. I have deleted or modified a few references which would have been anachronistic now, but have not otherwise revised or updated it.
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The Art of Extrapolation
Even if you are working with wholly imaginary worlds, the problem of slotting the imaginary into the real still has to be faced. Stories that are set on planets orbiting distant stars or stories set in a “Secondary World” like Tolkien’s Middle-Earth still have to borrow some of their coherency from the reader’s acquaintance with the actual world. The worlds in which planetary romances and Secondary World fantasies are set may have an entirely invented geography and an entirely imaginary history but their basic physical conditions are usually transferred without any elaborate commentary from our world. Magic may defy scientific laws but it has to work within the framework of the laws which it violates, as a series of exceptions. Even in the boldest fantasies it is taken for granted that without magic to hold them up, the castles in the clouds would fall, and that, without magic to aid her, the heroine who is deprived of oxygen will asphyxiate.
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