The Disappearance of Rituals
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Оглавление
Byung-Chul Han. The Disappearance of Rituals
Contents
Guide
Pages
The Disappearance of Rituals. A Topology of the Present
PRELIMINARY REMARK
1 The Compulsion of Production
NOTES
2 The Compulsion of Authenticity
NOTES
3 Rituals of Closure
NOTES
4 Festivals and Religion
NOTES
5 A Game of Life and Death
NOTES
6 The End of History
NOTES
7 The Empire of Signs
NOTES
8 From Duelling to Drone Wars
NOTES
9 From Myth to Dataism
NOTES
10 From Seduction to Porn
NOTES
BIBLIOGRAPHY
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Отрывок из книги
Byung-Chul Han
Translated by Daniel Steuer
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Today, many forms of repetition, such as learning by heart, are scorned on account of the supposed stifling of creativity and innovation they involve. The expression ‘to learn something by heart’, like the French apprendre par coeur, tells us that apparently only repetition reaches the heart. In the face of increasing rates of attention deficit disorder, the introduction of ‘ritual studies’ as a school subject has recently been advocated as a means of reviving the exercise of ritual repetition as a cultural technique.7 Repetition stabilizes and deepens attention.
Rituals are characterized by repetition. Repetition differs from routine in its capacity to create intensity. What is the origin of the intensity that characterizes repetition and protects it against becoming routine? For Kierkegaard, repetition and recollection represent the same movement but in opposite directions, ‘because what is recollected has already been and is thus repeated backwards, whereas genuine repetition is recollected forwards’.8 Repetition, as a form of recognition, is therefore a form of completion. Past and present are brought together into a living present. As a form of completion, repetition founds duration and intensity. It ensures that time lingers.
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