THE PROBLEM OF PAIN (Unabridged)

THE PROBLEM OF PAIN (Unabridged)
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The Problem of Pain is a book concerned, to one degree or another, with refuting popular objections to Christianity, such as the question, «How could a good God allow pain to exist in the world?» The book addresses an important aspect of theodicy, an attempt by one Christian layman to reconcile orthodox Christian belief in a just, loving and omnipotent God with pain and suffering. Some have felt that it is useful to read it together with A Grief Observed, Lewis' reflections on his own experiences of grief and anguish upon the death of his wife. In addition to dealing with human pain, however, the book also contains a chapter entitled «Animal Pain,» demonstrating not only the fact that Lewis cast his net wider than human suffering, but also a reflection on a lifelong love of animals. Clive Staples Lewis (1898-1963) was a British novelist, poet, academic, medievalist, lay theologian and Christian apologist. He is best known for his fictional work, especially The Screwtape Letters, The Chronicles of Narnia, and The Space Trilogy, and for his non-fiction Christian apologetics, such as Mere Christianity, Miracles, and The Problem of Pain.

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C. S. Lewis. THE PROBLEM OF PAIN (Unabridged)

THE PROBLEM OF PAIN (Unabridged)

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Table of Contents

Preface

Chapter I. Introductory

Chapter II. Divine Omnipotence

Chapter III. Divine Goodness

Chapter IV. Human Wickedness

Chapter V. The Fall of Man

Chapter VI. Human Pain

Chapter VII. Human Pain, continued

Chapter VIII. Hell

Chapter IX. Animal Pain

Chapter X. Heaven

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C. S. Lewis

Chapter I. Introductory

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Chapter X. Heaven

Going back about a century we find copious examples in Wordsworth—perhaps the finest being that passage in the first book of the Prelude where he describes his experience while rowing on the lake in the stolen boat. Going back further we get a very pure and strong example in Malory, when Galahad “began to tremble right hard when the deadly (= mortal) flesh began to behold the spiritual things”. At the beginning of our era it finds expression in the Apocalypse where the writer fell at the feet of the risen Christ “as one dead”. In Pagan literature we find Ovid’s picture of the dark grove on the Aventine of which you would say at a glance numen inest—the place is haunted, or there is a Presence here; and Virgil gives us the palace of Latinus “awful (horrendum) with woods and sanctity (religione) of elder days”. A Greek fragment attributed, but improbably, to Æschylus, tells us of earth, sea, and mountain shaking beneath the “dread eye of their Master”. And far further back Ezekiel tells us of the “rings” in his Theophany that “they were so high that they were dreadful”: and Jacob, rising from sleep, says “How dreadful is this place!”

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