Abstract Machine

Abstract Machine
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Описание книги

In <em>Abstract Machine</em>, author Charles Travis uses GIS technology to interpret, analyze, and visualize literary, historical, and philosophical texts. Travis's study shows how mapping language patterns, fictional landscapes, geographic spaces, and philosophical concepts helps support critical analysis. Travis bases his interpretive model upon the ancient Greek and Roman practice of <em>geographia</em>, and applies it to works by authors including Samuel Beckett, Patrick Kavanagh, Flann O’Brien, and James Joyce. Travis illustrates how scholars in the humanities can experiment with GIS to create visualizations that support and illustrate their critical analysis of humanities texts, and survey, navigate, and imagine various story-paths through space and time.

Оглавление

Charles B. Travis. Abstract Machine

Abstract. Machine. Humanities GIS

Contents

Preface: Abstract Machine

Acknowledgments

Chapter 1. Introduction

From Lascaux to the Sea of Tranquility

What is a GIS?

GIS and the digital humanities

Contents

Chapter 2. Toward the spatial turn

A brief history of Western geographical thought

Post-structuralist perspectives

Deep mapping

GIS and the space of conjecture

Chapter 3. Writing time and. space with GIS: The. conquest and mapping. of seventeenth-century. Ireland. Period, place, and GIS

Geovisualizing Irish history

Rebellion and conquest in 3D

Surveying the Cromwellian Settlement

William Petty and the Down Survey

From the ballybetagh to the barony

The Books of Survey and Distribution

Database mapping the Books

Visualizing the webs of history

Chapter 4. GIS and the poetic eye. Mapping Kavanagh

Bakhtinian GIS

Creating a digital dinnseanchas

Plotting the poetic eye

Chapter 5. Modeling and visualizing. in GIS: The topological. influences of Homer’s. Odyssey and Dante’s Inferno on James Joyce’s Ulysses (1922) Joycean cartographies

Homer and Dante’s topologies

Modeling Ulysses

The topologies of Ulysses

Upper Hell (1) Calypso, 8 a.m. (7 Eccles Street)

(2) Proteus, 11 a.m. (Sandymount Strand)

(3) Hades, 11 a.m. (Sandymount to Glasnevin Cemetery)

Middle of Hell (City of Dis) (4) Wandering Rocks, 2:55 to 4 p.m. (Dublin)

Lower Hell (5) Circe, 12 Midnight (Nighttown)

Purgatory (6) Ithaca (including Nostos’s journey through “Eumaeus”), 2 to 4 a.m. (7 Eccles Street)

Visualizing a “new Inferno in full sail”

Chapter 6. Psychogeographical GIS: Creating a “kaleidoscope. equipped with. consciousness,” Flann O’Brien’s. At Swim-Two-Birds (1939) The novel as urban GIS

Spatializing At Swim-Two-Birds

Psychogeographical mapping with GIS

Vico-Bakhtin timespaces

Counter-cartographical GIS

Chapter 7. Geovisualizing Beckett. Samuel Beckett’s GIStimeline

Geovisual narratology

Dublin-Paris, 1916–30

Beckett’s bottled climates

London,1933–35

France, 1945–46

Bricolage and biography

Chapter 8. The terrae incognitae of humanities GIS. The lost mapmaker

The map theater

The geographer’s science and the storyteller’s art

About the author

Index

Отрывок из книги

Charles B. Travis

Acknowledgments

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Joycean cartographies

Homer and Dante’s topologies

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