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Charles de Bernard. Gerfaut — Complete
Gerfaut — Complete
Table of Contents
CHARLES DE BERNARD
GERFAUT
BOOK 1
CHAPTER I. THE TRAVELLER
CHAPTER II. THE CASTLE OF BERGENHEIM
CHAPTER III. A DIVIDED HOUSEHOLD
CHAPTER IV. THE GALLANT IN THE GARDEN
CHAPTER V. ART AND MUSIC
BOOK 2
CHAPTER VI. GERFAUT’S STORY
CHAPTER VII. GERFAUT ASKS A FAVOR
CHAPTER VIII. A LOVER’S RUSE
CHAPTER IX. GERFAUT, THE WIZARD
CHAPTER X. PLOTS
CHAPTER XI. A QUARREL
CHAPTER XII. AN INHARMONIOUS MUSICALE
BOOK 3
CHAPTER XIII. MONSIEUR DE BERGENHEIM
CHAPTER XIV. GERFAUT’S ALLEGORY
CHAPTER XV. DECLARATION OF WAR
CHAPTER XVI. GERFAUT WINS A POINT
CHAPTER XVII. A RUDE INTERRUPTION
CHAPTER XVIII. ESPIONAGE
CHAPTER XIX. THE REVELATION
BOOK 4
CHAPTER XX. MARILLAC TELLS A STORY
CHAPTER XXI. A STRATAGEM
CHAPTER XXII. THE CRISIS
CHAPTER XXIII. THE AGREEMENT
CHAPTER XXIV. A FRIEND’S ADVICE
CHAPTER XXV. THE WILD BOAR
CHAPTER XXVI. BERGENHEIM’S REVENGE
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Charles de Bernard
Published by Good Press, 2019
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The first of these portraits hung opposite the windows at the right of the entrance door and was that of a chevalier in full armor, whose teeth gleamed from under his long moustache like those of an untamed tiger. Beginning with this formidable figure, which bore the date 1247, forty others of about the same dimensions were placed in order according to their dates. It seemed as if each period had left its mark upon those of the personages it had seen live and die, and had left something of its own character there.
There were more gallant cavaliers cut after the same pattern as the first. Their stern, harsh faces, red beards, and broad, square military shoulders told that by swordthrusts and broken lances they had founded the nobility of their race. An heroic preface to this family biography! A rough and warlike page of the Middle Ages! After these proud men-of-arms came several figures of a less ferocious aspect, but not so imposing. In these portraits of the fifteenth century beards had disappeared with the sword. In those wearing caps and velvet toques, silk robes and heavy gold chains supporting a badge of the same metal, one recognized lords in full and tranquil possession of the fiefs won by their fathers, landowners who had degenerated a little and preferred mountain life in a manor to the chances of a more hazardous existence. These pacific gentlemen were, for the most part, painted with the left hand gloved and resting upon the hip; the right one was bare, a sort of token of disarmament which one might take for a painter’s epigram. Some of them had allowed their favorite dogs to share the honors of the picture. All in this group indicated that this branch of the family had many points of resemblance with the more illustrious faces. It was the period of idle kings.
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