This Uncontainable Feeling of Freedom

This Uncontainable Feeling of Freedom
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Irène Schweizer: jazz pianist, activist, icon. A self-taught musician from the Swiss village of Schaffhausen, at the age of 19 she won first prize at the Zurich amateur jazz festival. (The festival had not anticipated that a woman might win: first prize was a men's shirt.) The creative journey of this young woman from the north of Switzerland led her inexorably to experimental music: from the London jazz club Ronnie Scott's and the Zurich club Africana to avant-garde stages in Wuppertal, Berlin, Willisau, Chicago, and New York; from concerts with Don Cherry, Louis Moholo and George Lewis to solo appearances as a celebrated artist in the Swiss temples of high culture: the Lucerne Culture and Congress Centre and the Zurich Tonhalle. She fought constantly for artistic freedom and autonomy. Her committed action against apartheid and for women's rights resulted in her surveillance by Swiss intelligence agencies, revealed in the «secret files scan- dal» of 1989. Undaunted, Schweizer persisted in her activism for left politics in Switzerland. Christian Broecking has researched and written the biography of one of the most exceptional musicians of the post-war period in Europe.

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Christian Broecking. This Uncontainable Feeling of Freedom

IMPORTANT PERSONS

THIS UNCONTAINABLE. FEELING OF FREEDOM

CODA

JUNGLE BEATS

IRÈNE SCHWEIZER. DISCOGRAPHY

IRÈNE SCHWEIZER. CHRONOLOGY

PHOTOGRAPHS

PERSONS. INTERVIEWED

Photo Credits

Acknowledgements

Supporting Institutions

Отрывок из книги

IMPORTANT PERSONS

THIS UNCONTAINABLE FEELING OF FREEDOM

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Schweizer says there were always two camps in the clubs, “people who liked it and others who rejected us. They often walked out of the concerts. We were attacked: ‘There’s no rhyme or reason to it. We can’t tell what you’re trying to do!’ The trio with Neumeier and Trepte accompanied Yusef Lateef at the first Montreux Festival in 1967. An agent brought us together. We were his backup band. We played a kind of free music with him, but always tonal. A bit like Coltrane; modal. The interplay worked really well. I thought Lateef was wonderful, and I think he also had fun playing with us. After Montreux we went to Germany for a few club gigs.” (Jazzthetik 7 + 8, 2006, p. 40).

Donaueschingen Music Days 1967: Jazz Meets India

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