The American Museum of Natural History and How It Got That Way

The American Museum of Natural History and How It Got That Way
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Tells the story of the building of the American Museum of Natural History and Hayden Planetarium, a story of history, politics, science, and exploration, including the roles of American presidents, New York power brokers, museum presidents, planetarium directors, polar and African explorers, and German rocket scientists. The American Museum of Natural History is one of New York City’s most beloved institutions, and one of the largest, most celebrated museums in the world. Since 1869, generations of New Yorkers and tourists of all ages have been educated and entertained here. Located across from Central Park, the sprawling structure, spanning four city blocks, is a fascinating conglomeration of many buildings of diverse architectural styles built over a period of 150 years. The first book to tell the history of the museum from the point of view of these buildings, including the planned Gilder Center, The American Museum of Natural History and How It Got That Way contextualizes them within New York and American history and the history of science. Part II, “The Heavens in the Attic,” is the first detailed history of the Hayden Planetarium, from the museum’s earliest astronomy exhibits, to Clyde Fisher and the original planetarium, to Neil deGrasse Tyson and the Rose Center for Earth and Space, and it features a photographic tour through the original Hayden Planetarium. Author Colin Davey spent much of his childhood literally and figuratively lost in the museum’s labyrinthine hallways. The museum grew in fits and starts according to the vicissitudes of backroom deals, personal agendas, two world wars, the Great Depression, and the Cold War. Chronicling its evolution―from the selection of a desolate, rocky, hilly, swampy site, known as Manhattan Square to the present day―the book includes some of the most important and colorful characters in the city’s history, including the notoriously corrupt and powerful “Boss” Tweed, “Father of New York City” Andrew Haswell Green, and twentieth-century powerbroker and master builder Robert Moses; museum presidents Morris K. Jesup, Henry Fairfield Osborn, and Ellen Futter; and American presidents, polar and African explorers, dinosaur hunters, and German rocket scientists. Richly illustrated with period photos, The American Museum of Natural History and How It Got That Way is based on deep archival research and interviews.

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Colin Davey. The American Museum of Natural History and How It Got That Way

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“This is, in many ways, a particularly American story, and anyone interested in history or museums will find this a very satisfying read. Author Colin Davey had a life-long love affair with the museum, growing up in New York and spending many, many hours happily lost in the museum collections, and that shines through in his writing, as does his fine, in-depth research. Plenty of excellent graphics and photographs support this fascinating history.” —Seattle Book Review

“This volume makes a valuable contribution to our knowledge of one of the most iconic American institutions devoted to science and popular education, especially regarding astronomy and space science, over the course of more than a century. Deeply researched and illustrated with 50 black-and-white period photos and numerous diagrams, the work is not only a pleasure to read but will serve as a notable reference for years to come. Planetarians everywhere can benefit from a short to an in-depth perusal of its pages.” —Planetarian: Journal of the International Planetarium Society

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Boss Tweed

It quickly became apparent to all parties that to get a law passed by the State Legislature, it would be necessary to secure the support of William Magear Tweed, also known as Boss Tweed, “whose influence was said to be growing so rapidly,” Bickmore wrote in his autobiography, “that it promised soon to become of paramount importance upon the fate of all laws relating to our metropolis.”62 And Choate would later recall: “When it had finally been resolved to establish the American Museum, the first thing was to get a charter from the state, and I went in company with the late William E. Dodge to Albany to consult with members of the Legislature about granting it. To our surprise we found that the matter of granting us a charter depended upon the decision of William M. Tweed, who was then practically in supreme control of the Legislature.”63

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