The Mannequin Makers

The Mannequin Makers
Автор книги: id книги: 1590517     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 1190,12 руб.     (13,2$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Историческая литература Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9781571319661 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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A Commonwealth Prize Winner and often featured in “Best of” lists for writing from Australia and New Zealand, author is well positioned to break out with his first work to be published outside of his region Expecting blurbs from Eowyn Ivey ( The Snow Child ), Eleanor Catton (Man Booker prize winner), with a likely blurb from Jim Shepard A literary title, that contains universal questions about the ego, imitation, and the artistic process, but also a deeply engaging, haunting thriller Author participated in the University of Iowa’s International Writer’s Program, led by Christopher Merrill, and lived in Iowa City for four months, cementing strong connections with the literary community in the US

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Craig Cliff. The Mannequin Makers

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For Margaret Cliff

Our nature lies in movement; complete calm is death . . . Nothing is so insufferable to man as to be completely at rest, without passions, without business, without diversions, without study. He then feels his nothingness, his abandonment, his insufficiency, his dependence, his impotence, his emptiness. There will immediately arise from the depth of his heart weariness, gloom, sadness, grief, anger, despair.

.....

The commerce on the beach side came to a halt once more at the grounds of St Paul’s, the tallest of the town’s three churches. He could smell the fishmonger’s shop on the other side of grounds. The reek seemed the final word on religion, no matter how much the vestments, stained glass and ceremony might appeal to the aesthete inside any window dresser.

He leant on the church’s wrought iron gate, another of Jolly Bannerman’s pieces, and looked across at Donaldson’s, square and tall, its black verandah of corrugated iron stretching out to the street. The masonry facade sought to announce quality, class, permanence. The tall windows of the upper floors were bound by Roman arches, each capped with a keystone bearing a white rosette. But he knew it was all for nought without a decent display in his windows, the only windows that counted.

.....

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