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Re: Producing Women’s Dramatic History. The Politics of Playing in Toronto
D. A. Hadfield
Contents
Preface
Acknowledgements
1Women’s History: Pages and Stages
Exit: History
Performing Histories: Stage One
Performing Histories: Stage Two
Getting on with the Show
NOTES
2Producing Possibilities for Feminist Theatre
Developing Policy and Production in Canada
Beginning with the Word
Collective Creation
Who Could Do Such a Thing?
NOTES
3Dead Centre: Judith Thompson Takes on Shaw and Ibsen
Feminist Central?
The Court House Trials
Critical Verdicts
Inadmissible Evidence
Epilogue: RevivingHedda Gabler
NOTES
4Sally into the Centre: Is Seeing Believing?
How Do You Spell “Success”?
Wanted: Single White Feminist
Re: Playing History
Playing With(out) Success
Trials and Verdicts at the Canadian Stage
Playing the Stakes
In-Credible Instruction
Reading History
NOTES
5Crossing Over, or, Reading Anger in the Margin
Reading Across Contexts
Writing the History of Mixed Blood:The Book of Jessica
In Search of Ceremony
Transforming Theatrical History
This Is (No Place) for You, Anna
Producing No Place on the Page
Reproducing No Place on Stage and Page
Of Supplements
NOTES
6Re: Visions of History
A Good Night for Feminist Theatre
Remainders
NOTES
Works Cited
Index
About Talonbooks
Vancouver
Acknowledgements
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In Search of Ceremony
Transforming Theatrical History
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