Ireland and the Problem of Information
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Damien Keane. Ireland and the Problem of Information
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IRELAND AND THE PROBLEM OF INFORMATION
PROBLEM OF
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Ensemble and Microphone
Within the more delimited sphere of Irish foreign relations, “the spirit of Geneva” is almost exclusively associated with the figure of Eamon de Valera, whose highly visible participation in the League during the thirties marks a definitive turn in Irish politics between independence and the Second World War. While the validity of this association is unquestionable, the singularity of its focus misrecognizes not only the institutional character of the League, but the extent to which de Valera relied on the canny insight of the Irish delegation at Geneva. As Michael Kennedy argues, “[De Valera’s one-man-show] might not have been an ensemble piece on stage, but behind the scenes the solo performer was prepared, advised and initially supervised by the staff of the Department of External Affairs. De Valera was certainly not their mouthpiece, but neither was he performing all his own work. A solid base to work from, de Valera’s inspiration and the Department of External Affairs[’] perspiration and expertise, were the significant factors behind Ireland’s position in the League in the 1930s.”34 As the foregoing section outlined, internationalism was at once encouraged and challenged by the vertiginous rise of competing forums of exchange during the interwar years: new voices in new media, old forms reinvented as new configurations, new articulations of old relations. Against this background, de Valera’s performance remains no less impressive, insofar as it records a specifically Irish variation on the decade’s themes. At the same time, however, this variation reveals dynamics within the larger context of international tensions that are otherwise inaudible.
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