Ireland and the Problem of Information

Ireland and the Problem of Information
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Though the work of Irish writers has been paramount in conventional accounts of literary modernism, Ireland itself only rarely occupies a meaningful position in accounts of modernism’s historical trajectory. With an itinerary moving not simply among Dublin, Belfast, and London but also Paris, New York, Addis Ababa, Rome, Berlin, Geneva, and the world’s radio receivers, Ireland and the Problem of Information examines the pivotal mediations through which social knowledge was produced in the mid-twentieth century. Organized as a series of cross-fading case studies, the book argues that an expanded sphere of Irish cultural production should be read as much for what it indicates about practices of intermedial circulation and their consequences as for what it reveals about Irish writing around the time of the Second World War. In this way, it positions the “problem of information” as, first and foremost, an international predicament, but one with particular national implications for the Irish field.

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Damien Keane. Ireland and the Problem of Information

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IRELAND AND THE PROBLEM OF INFORMATION

PROBLEM OF

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Ensemble and Microphone

Within the more delimited sphere of Irish foreign relations, “the spirit of Geneva” is almost exclusively associated with the figure of Eamon de Valera, whose highly visible participation in the League during the thirties marks a definitive turn in Irish politics between independence and the Second World War. While the validity of this association is unquestionable, the singularity of its focus misrecognizes not only the institutional character of the League, but the extent to which de Valera relied on the canny insight of the Irish delegation at Geneva. As Michael Kennedy argues, “[De Valera’s one-man-show] might not have been an ensemble piece on stage, but behind the scenes the solo performer was prepared, advised and initially supervised by the staff of the Department of External Affairs. De Valera was certainly not their mouthpiece, but neither was he performing all his own work. A solid base to work from, de Valera’s inspiration and the Department of External Affairs[’] perspiration and expertise, were the significant factors behind Ireland’s position in the League in the 1930s.”34 As the foregoing section outlined, internationalism was at once encouraged and challenged by the vertiginous rise of competing forums of exchange during the interwar years: new voices in new media, old forms reinvented as new configurations, new articulations of old relations. Against this background, de Valera’s performance remains no less impressive, insofar as it records a specifically Irish variation on the decade’s themes. At the same time, however, this variation reveals dynamics within the larger context of international tensions that are otherwise inaudible.

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