Monty Python Speaks! Revised and Updated Edition

Monty Python Speaks! Revised and Updated Edition
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The complete oral history of Monty Python – one of comedy's most legendary and influential troupes – publishing to coincide with the 50th anniversary of their BBC debut.With a foreword by John Oliver from Last Week Tonight‘Some people think it’s very clever and intelligent, and some people say it’s extremely silly and inconsequential, but not many people ignore it’ Michael PalinWith their dead parrots, holy grails and spam, Monty Python revolutionised comedy for the rest of the world. They paved the way for everything from Saturday Night Live to The Young Ones and The Simpsons, ushering in a new brand of surrealist comedy: a stream-of-consciousness sketch show that pushed the boundaries of format, style and content. Its legacy is not only important; it’s monumental.In Monty Python Speaks!, David Morgan has extensively interviewed the entire world of Python – from producers and collaborators like Douglas Adams and Hank Azaria to the founding members themselves – to create the ultimate record of Britain’s most rebellious and successful comedy act. Packed with rare and never-before-seen photographs, and told with the group’s customary wit and irreverence, this newly updated edition, published to o is the inside story of a comedy phenomenon.

Оглавление

David Morgan. Monty Python Speaks! Revised and Updated Edition

Copyright

Dedication

FOREWORD. BY JOHN OLIVER

INTERVIEWEES. THE PYTHONS. JOHN CLEESE

TERRY GILLIAM

ERIC IDLE

TERRY JONES

MICHAEL PALIN

CO-CONSPIRATORS. BARRY TOOK

IAN MACNAUGHTON

DAVID SHERLOCK

CAROL CLEVELAND

JOHN GOLDSTONE

MARK FORSTATER

JULIAN DOYLE

TERRY BEDFORD

HOWARD ATHERTON

NANCY LEWIS

DOUGLAS ADAMS

HANK AZARIA

INTRODUCTION

PRE-PYTHON. IN THE OLD DAYS WE USED TO MAKE OUR OWN FUN

I MEAN, THEY THINK WELL, DON’T THEY

NOW WHICH ONE OF YOU IS THE SURGEON?

WITH A MELON?

HAVE WE SHOWN ’EM WE GOT TEETH?

BIRTH

LEAVE IT ALL TO US, YOU’LL NEVER KNOW WHAT HIT YOU

ALL BRONTOSAURUSES ARE THIN AT ONE END, MUCH MUCH THICKER IN THE MIDDLE, AND THEN THIN AGAIN AT THE FAR END – (MISS) ANNE ELK

DIRECTOR: CLOSE UP, ZOOM IN ON ME

TAKE-OFF. LET’S GET THE BACON DELIVERED

THIS YEAR OUR MEMBERS HAVE PUT MORE THINGS ON TOP OF OTHER THINGS THAN EVER BEFORE

THAT’S MY FLANNEL

PERT PIECES OF COPPER COINAGE

TEN, NINE, EIGHT AND ALL THAT

WHY DON’T YOU MOVE INTO MORE CONVENTIONAL AREAS?

FRANKLY I DON’T FULLY UNDERSTAND IT MYSELF, THE KIDS SEEM TO LIKE IT

BUT IT’S MY ONLY LINE!

IF THEY CAN’T SEE YOU, THEY CAN’T GET YOU

HE WANTS TO SIT DOWN AND HE WANTS TO BE ENTERTAINED

THE PYTHONS THROUGH THE LOOKING GLASS. APART FROM THAT HE’S PERFECTLY ALL RIGHT

THE CONTROL FREAK

SPLUNGE!

THE NICE ONE

THE CHEEKY ONE

THE ZEALOUS FANATIC

THE MONOSYLLABIC MINNESOTA FARM BOY

THE GROUP DYNAMIC

AND NOW FOR SOMETHING COMPLETELY … THE SAME? I’VE HAD AN IDEA FOR THE NEXT MOVIE I’M GOING TO PRODUCE AND I WANT YOU BOYS TO WRITE IT

WENN IST DAS NUNSTÜCK GIT UND SLOTERMEYER?

BE CAREFUL: YOU KNOW WHAT HE’S LIKE AFTER A FEW NOVELS

FEAR AND LOATHING AT THE BBC. I’LL DO WHAT I LIKE BECAUSE I’M SIX FOOT FIVE AND I EAT PUNKS LIKE YOU FOR BREAKFAST

THE BBC WOULD LIKE TO APOLOGIZE TO EVERYONE IN THE WORLD FOR THE LAST ITEM

MONTY PYTHON AND THE HOLY GRAIL. COME SEE THE VIOLENCE INHERENT IN THE SYSTEM

IN A VERY REAL AND LEGALLY BINDING SENSE

‘WELL, WHAT DO I THINK?’ ‘I SAY LET’S BE NICE TO HIM!’

I SEEK THE BRAVEST AND THE FINEST

FOLLOW ONLY IF YE BE MEN OF VALOUR

’COURSE IT’S A GOOD IDEA

I DIDN’T EXPECT A KIND OF SPANISH INQUISITION

WE MUST EXAMINE YOU

BRING OUT YOUR DEAD

OUR QUEST IS AT AN END

WHY DO YOU THINK I HAVE THIS OUTRAGEOUS ACCENT?

THE US INVASION BEGINS. CABBAGE CRATES COMING OVER THE BRINY

THE FOURTH (AND FINAL) SORTIE. I DON’T THINK WE HAD ENOUGH OF THE REALLY GROSS AWFULNESS THAT WE’RE LOOKING FOR

OUR RATINGS GAVE US 97,300,912, AND ITV NOUGHT

IT SAYS SOMETHING ABOUT FILLING MY MOUTH IN WITH CEMENT

VOICE ON INTERCOM (CAROL):

PRIME MINISTER (ERIC):

VOICE:

PRIME MINISTER:

VOICE:

PRIME MINISTER:

VOICE:

PRIME MINISTER:

VOICE:

PRIME MINISTER:

VOICE:

PRIME MINISTER:

VOICE:

PRIME MINISTER:

VOICE:

PRIME MINISTER:

VOICE:

PRIME MINISTER:

VOICE:(on tape)

PRIME MINISTER:(on tape)

VOICE:(on tape)

PRIME MINISTER:(on tape)

VOICE:

PRIME MINISTER:

VOICE:

PRIME MINISTER:

PRIME MINISTER:(on tape)

CAUGHT IN PYTHON’S ORBIT

HELP ME? YEAH, I’LL SAY YOU CAN HELP ME

LIFE OF BRIAN. NOWADAYS PEOPLE WANT SOMETHING WITTIER

AND I SHOULD KNOW, I’VE FOLLOWED A FEW

SPARE A TALENT FOR AN OLD EX-LEPER

AS MUCH GOLD AS THEY COULD EAT

I’M BRIAN, AND SO IS MY WIFE

MY HOVERCRAFT IS FULL OF EELS

WHERE IS THE NEW LEADER? I WISH TO HAIL HIM

I’VE GOT BETTER THINGS TO DO THAN COME DOWN TO THE DAIRY

NO ONE IS TO STONE ANYONE UNTIL I BLOW THIS WHISTLE

ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE

FLYING SOLO ’COS THINGS ‘BREAK’, DON’T THEY?

THERE’S VIOLENCE TO BE DONE

I DIDN’T KNOW AN ACCEPTABLE LEGAL PHRASE, M’LUD

THE MEANING OF LIFE

IN FACT I WILL PERSONALLY MAKE SURE YOU HAVE A DOUBLE HELPING

ALL MIXED UP IN A BUCKET

AH! AND WHAT SORT OF THING IS THAT?

PEOPLE ARE NOT WEARING ENOUGH HATS

WELL, THAT’S CAST RATHER A GLOOM OVER THE EVENING, HASN’T IT?

LE MORTE D’ARTHUR. FORGET ABOUT YOUR SIN – GIVE THE AUDIENCE A GRIN

THE ‘IF YOU COULD SAVE ONLY ONE THING YOU’VE PRODUCED’ CHAPTER

LORD BARTLESHAM:

LADY BARTLESHAM:

TWENTY-FIRST-CENTURY PYTHON

THANK GOD FOR THAT. FOR ONE GHASTLY MOMENT I THOUGHT I WAS … TOO LATE

SPAMALOT. WE’RE OPERA-MAD IN CAMELOT, WE SING FROM THE DIAPHRAGM A LOT

BUT MANY TIMES WE’RE GIVEN RHYMES THAT ARE QUITE UN-SINGABLE

HE HASN’T GOT SHIT ALL OVER HIM

DÉJÀ REVUE. REMEMBER, IT’S YOUR LAST CHANCE ANYHOW

WELL, I’LL ASK HIM BUT I DON’T THINK HE’LL BE VERY KEEN

YOU TRY TELLING THE YOUNG PEOPLE OF TODAY THAT, AND THEY WON’T BELIEVE YOU

THAT INCREDIBLE FEELING THAT WE’VE EXPERIENCED SOMETHING BEFORE

HE USED TO MAKE THEM HAPPY IN LITTLE WAYS

WELL, WHY ARE ANY OF US HERE? WHEN YOU COME DOWN TO IT, IT’S ALL SO MEANINGLESS

MY NIPPLES EXPLODE WITH DELIGHT!

I THOUGHT IT WAS BECAUSE YOU WERE INTERESTED IN ME AS A HUMAN BEING

EXITING THE STAGE. LIFE’S A GAME, YOU SOMETIMES WIN OR LOSE …

FINAL THOUGHTS. OF COURSE IN THOSE DAYS I WAS ONLY A TEA BOY

YOU ALWAYS TALK, YOU AMERICANS, YOU TALK AND YOU TALK AND SAY ‘LET ME TELL YOU SOMETHING’ AND ‘I JUST WANT TO SAY THIS’

‘YOU MUST TRY AND MAKE EVERYONE HAPPY AND BRING PEACE AND CONTENTMENT EVERYWHERE YOU GO.’ SO, I BECAME A WAITER

FOOTNOTES. PRE-PYTHON

BIRTH

TAKE-OFF

THE PYTHONS THROUGH THE LOOKING GLASS

FEAR AND LOATHING AT THE BBC

MONTY PYTHON AND THE HOLY GRAIL

THE US INVASION BEGINS

THE FOURTH (AND FINAL) SORTIE

CAUGHT IN PYTHON’S ORBIT

LIFE OF BRIAN

FLYING SOLO

THE MEANING OF LIFE

LE MORTE D’ARTHUR

TWENTY-FIRST-CENTURY PYTHON

DÉJÀ REVUE

FINAL THOUGHTS

THE PYTHON OEUVRE

SOURCES

BIBLIOGRAPHY

INDEX

ACKNOWLEDGEMENTS

ABOUT THE AUTHOR

About the Publisher

Отрывок из книги

To Gwen Dibley,

who was (almost) there at the start

.....

MACNAUGHTON: At the beginning they all wanted to come to the editing, and I said, ‘That’s no use, we can’t have five guys standing around me standing around the editor.’ So in the end only Terry used to come to the editing. We’d sit together and we’d say, ‘Yes, I think cut there,’ and ‘No, I think it should be cut later,’ and ‘No, I’m sorry, I think it’s quicker’ – the usual thing. There were honestly no problems.

GILLIAM: Terry tended to be the one to be in the editing room, sitting looking over Ian’s shoulder, and keeping an eye on things. I popped in occasionally, John, different people. Terry was almost always there.

.....

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