The Road Out
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Deborah Hicks. The Road Out
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IMPRINT IN HUMANITIES
The humanities endowment
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The next morning I sat at my kitchen table, nursing a soothing cup of coffee. My eyes were bloodshot and puffy. I still felt foggy from a sleep that started late and ended at six with the shrill sound of a digital alarm clock. But even so my mind was at work, trying to make sense of Blair’s words. The parts of the story jammed against one another: a young girl, Stephen King, horror. This wasn’t what I had in mind when I had created my literature class for girls. I thought I knew what Blair needed. She was growing up in a poor neighborhood. And public school wasn’t exactly a sanctuary, not the uplifting school experience of the Hollywood cliché, with the wide-eyed children in their thrift-store clothing, discovering a slice of the American Dream. In a time when more and more seemed to hinge on single-shot yearly tests, girls attending public school in poor neighborhoods spent much of their school days in an endless rehearsal for the big March tests. I wanted my class to be about something different: the gift of literature, a chance to expand their minds through the world of books and to share stories and life dreams. I wanted to open the door to what Robert Coles once termed a literature of social reflection. We needed a place, I believed, to read and talk about fiction, and about all the real-world things that make life for a poor white girl so complicated and hard and beautiful—all at the same time.
But Stephen King?
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