Homer's Odyssey

Homer's Odyssey
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"Homer's Odyssey" by Denton Jaques Snider. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Denton Jaques Snider. Homer's Odyssey

Homer's Odyssey

Table of Contents

HOMER'S ODYSSEY

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Denton Jaques Snider

A Commentary

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The entire Introduction (lines 1–88) he tears from its present place and puts it before the Fifth Book, where it serves as the prelude to the Calypso tale. The rest of the Telemachiad is the work of another poet. Indeed the rest of the First Book (after the Introduction) is not by the same man who produced the Second Book. Then the Second Book is certainly older than the First, and ought somehow to be placed before it. The real truth is, however, that the First Book is only a hodge-podge made out of the Second Book by an inferior poet, who took thence fragments of sentences and of ideas and stitched them together. In the Invocation Kirchhoff cuts out the allusion to the oxen of the Sun (lines 6–9) as being inconsistent with his theory.

After disposing of the Introduction in this way, Kirchhoff takes up the remaining portion of the First Book, which he tears to pieces almost line by line. In about forty separate notes on different passages he marks points for skepticism, having in the main one procedure: he hunts both the Iliad and the Odyssey through, and if he finds a line or phrase, and even a word used elsewhere, which he has observed here, he at once is inclined to conclude that the same must have been taken thence and put here by a foreign hand. Every reader of Homer is familiar with his habit of repeating lines and even entire passages, when necessary. All such repetitions Kirchhoff seizes upon as signs of different authorship; the poet must have used the one, some redactor or imitator the other. To be sure we ought to have a criterion by which we can tell which is the original and which is the derived; but such a criterion Kirchhoff fails to furnish, we must accept his judgment as imperial and final. Once or twice, indeed, he seems to feel the faultiness of his procedure, and tries to bolster it, but as a rule he speaks thus: "The following verse is a formula (repetition), and hence not the property of the author." (Die Homerische Odyssee, p. 174.)

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