Porcelain

Porcelain
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Dillon Edward. Porcelain

PREFACE

SELECTED LIST OF WORKS ON PORCELAIN

KEY TO THE BIBLIOGRAPHICAL LIST

LIST OF WORKS ON OTHER SUBJECTS REFERRED TO IN THE TEXT

CHAPTER I. INTRODUCTORY AND SCIENTIFIC

CHAPTER II. THE MATERIALS: MIXING, FASHIONING, AND FIRING

CHAPTER III. GLAZES

CHAPTER IV. DECORATION BY MEANS OF COLOUR

CHAPTER V. THE PORCELAIN OF CHINA

CHAPTER VI. THE PORCELAIN OF CHINA—(continued)

CHAPTER VII. THE PORCELAIN OF CHINA—(continued)

CHAPTER VIII. THE PORCELAIN OF CHINA—(continued)

CHAPTER IX. THE PORCELAIN OF CHINA—(continued)

CHAPTER X. THE PORCELAIN OF CHINA—(continued)

CHAPTER XI. THE PORCELAIN OF KOREA AND OF THE INDO-CHINESE PENINSULA

CHAPTER XII. THE PORCELAIN OF JAPAN

CHAPTER XIII. FROM EAST TO WEST

CHAPTER XIV. THE FIRST ATTEMPTS AT IMITATION IN EUROPE

CHAPTER XV. THE HARD-PASTE PORCELAIN OF GERMANY

CHAPTER XVI. THE HARD-PASTE PORCELAIN OF GERMANY—(continued)

CHAPTER XVII. THE SOFT-PASTE PORCELAIN OF FRANCE

CHAPTER XVIII. THE HARD-PASTE PORCELAIN OF SÈVRES AND PARIS

CHAPTER XIX. THE SOFT AND HYBRID PORCELAINS OF ITALY AND SPAIN

CHAPTER XX. ENGLISH PORCELAIN

CHAPTER XXI. ENGLISH PORCELAIN—(continued)

CHAPTER XXII. ENGLISH PORCELAIN—(continued)

CHAPTER XXIII. CONTEMPORARY EUROPEAN PORCELAIN

EXPLANATION OF THE MARKS ON THE FOLLOWING PLATES (A. TO E.)

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HOW extensive is the literature that has grown up of late years round the subject of porcelain may be judged from the length of our ‘selected’ list of books dealing with this material. Apart from the not inconsiderable number of general works on the potter’s art in French, German, and English, there is scarcely to be found a kiln where pottery of one kind or another has been manufactured which has not been made the subject of a separate study. And yet, as far as I know, the very definite subdivision of ceramics, which includes the porcelain of the Far East and of Europe, has never been made the basis of an independent work in England.

It has been the aim of the writer to dwell more especially on the nature of the paste, on the glaze, and on the decoration of the various wares, and above all to accentuate any points that throw light upon the relations with one another—especially the historical relations—of the different centres where porcelain has been made. Less attention has been given to the question of marks. In the author’s opinion, the exaggerated importance that has been given to these marks, both by collectors and by the writers that have catered to them, has more than anything else tended to degrade the study of the subject, and to turn off the attention from more essential points. This has been above all the case in England, where the technical side has been strangely neglected. In fact, we must turn to French works for any thorough information on this head.

.....

Grandidier (E.): La Céramique Chinoise. Paris, 1894.

Griggs (W.): Examples of Armorial China. Folio. 1887.

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