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The Lake Gun
Tales for Fifteen: Or, Imagination and Heart
Introduction
Preface
Imagination
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Heart
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Upside Down; Or, Philosophy in Petticoats. A Scene from James Fenimore Cooper’s only Play
Introduction
The Cast
Scene
The Seneca is remarkable for its “Wandering Jew,” and the “Lake Gun.” The first is a tree so balanced that when its roots are clear of the bottom it floats with its broken and pointed trunk a few feet above the surface of the water, driving before the winds, or following in the course of the currents. At times, the “Wandering Jew” is seen off Jefferson, near the head of this beautiful sheet; and next it will appear anchored, as it might be, in the shallow water near the outlet.
For more than half a century has this remnant of the forest floated about, from point to point, its bald head whitening with time, until its features have become familiar to all the older inhabitants of that region of country. The great depth of the Seneca prevents it from freezing; and summer and winter, springtime and autumn, is this wanderer to be observed; occasionally battling with the ice that makes a short distance from the shore, now pursuing its quiet way before a mild southern air in June, or, again, anchored, by its roots touching the bottom, as it passes a point, or comes in contact with the flats. It has been known to remain a year or two at a time in view of the village of Geneva, until, accustomed to its sight, the people began to think that it was never to move from its berth any more; but a fresh northerly breeze changes all this; the “Jew” swings to the gale, and, like a ship unmooring, drags clear of the bottom, and goes off to the southward, with its head just high enough above water to be visible. It would seem really that his wanderings are not to cease as long as wood will float.
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“’T was a mere flash in the pan to what I have heard, when the lake is in ‘arnest,” said the old fellow, with the love of exaggeration so common with the vulgar. “Still, it was a gun.”
“A signal that the ‘Wandering Jew’ is near by; so, haul aft the sheets, and let us depart.”
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