The Violin

The Violin
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Описание книги

"The Violin" by George Dubourg. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Dubourg George. The Violin

The Violin

Table of Contents

PREFACE

TO THE PRESENT EDITION

ORIGIN AND EARLY HISTORY OF THE VIOLIN

THE ITALIAN SCHOOL

PAGANINI

THE FRENCH SCHOOL

THE GERMAN SCHOOL

THE ENGLISH SCHOOL

AMATEURS

FEMALE VIOLINISTS (See Addendum, page 397)

ON THE CONSTRUCTION OF THE VIOLIN

MISCELLANEOUS ANECDOTES, COLLECTED SCRAPS, ECCENTRIC VARIETIES, &C

THE VIOLIN,

ETC. CHAPTER I

ORIGINAL AND EARLY HISTORY OF THE VIOLIN

CHAPTER II

THE ITALIAN SCHOOL

CHAPTER III

PAGANINI

CHAPTER IV

THE FRENCH SCHOOL

CHAPTER V

THE GERMAN SCHOOL

CHAPTER VI

THE ENGLISH SCHOOL

CHAPTER VII

AMATEURS

CHAPTER IX

ON THE CONSTRUCTION OF THE VIOLIN

CHAPTER X

MISCELLANEOUS ANECDOTES, COLLECTED SCRAPS, ECCENTRIC VARIETIES, ETC

ADDENDUM

FEMALE VIOLINISTS “Place aux dames!”

THE END. FOOTNOTES:

the end. PRINTED BY J. MALLETT, 59, WARDOUR STREET, LONDON

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George Dubourg

Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc

.....

“Orpheus,” he says, “supported the lyre against his left leg, whilst he beat time by striking his foot upon the ground; in his right hand he held the bow, which he drew across the strings, turning his wrist slightly inwards. He touched the strings with the fingers of his left hand, keeping the knuckles perfectly straight.”

From this description (if bow it could be called, which bow was none), it would appear as if the lyre to which Philostratus alludes were, forsooth, the same instrument which the moderns call the contra-violin, or viola di gamba! To settle the matter thus, however, would be indeed to beg the question.

.....

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