The Violin
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Оглавление
Dubourg George. The Violin
The Violin
Table of Contents
PREFACE
TO THE PRESENT EDITION
ORIGIN AND EARLY HISTORY OF THE VIOLIN
THE ITALIAN SCHOOL
PAGANINI
THE FRENCH SCHOOL
THE GERMAN SCHOOL
THE ENGLISH SCHOOL
AMATEURS
FEMALE VIOLINISTS (See Addendum, page 397)
ON THE CONSTRUCTION OF THE VIOLIN
MISCELLANEOUS ANECDOTES, COLLECTED SCRAPS, ECCENTRIC VARIETIES, &C
THE VIOLIN,
ETC. CHAPTER I
ORIGINAL AND EARLY HISTORY OF THE VIOLIN
CHAPTER II
THE ITALIAN SCHOOL
CHAPTER III
PAGANINI
CHAPTER IV
THE FRENCH SCHOOL
CHAPTER V
THE GERMAN SCHOOL
CHAPTER VI
THE ENGLISH SCHOOL
CHAPTER VII
AMATEURS
CHAPTER IX
ON THE CONSTRUCTION OF THE VIOLIN
CHAPTER X
MISCELLANEOUS ANECDOTES, COLLECTED SCRAPS, ECCENTRIC VARIETIES, ETC
ADDENDUM
FEMALE VIOLINISTS “Place aux dames!”
THE END. FOOTNOTES:
the end. PRINTED BY J. MALLETT, 59, WARDOUR STREET, LONDON
Отрывок из книги
George Dubourg
Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc
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“Orpheus,” he says, “supported the lyre against his left leg, whilst he beat time by striking his foot upon the ground; in his right hand he held the bow, which he drew across the strings, turning his wrist slightly inwards. He touched the strings with the fingers of his left hand, keeping the knuckles perfectly straight.”
From this description (if bow it could be called, which bow was none), it would appear as if the lyre to which Philostratus alludes were, forsooth, the same instrument which the moderns call the contra-violin, or viola di gamba! To settle the matter thus, however, would be indeed to beg the question.
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