Here at Last is Love

Here at Last is Love
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Dunstan Thompson was an American poet of great promise who burst onto the Anglo-American literary scene during World War II. In the words of one contemporary, Thompson was one of the rising «stars of modern poetry,» a writer who might one day join the pantheon of poets like Hart Crane, W.H. Auden, Stephen Spender, and Dylan Thomas.
And yet Thompson more or less disappeared from public view by the early 1950s. After publishing two volumes of poetry, a travel book, and a novel, Thompson had only a few scattered magazine publications until his death. A posthumous volume was privately printed in England, but the circulation was small.
Here at Last is Love: Selected Poems is the definitive, authorized selection of Thompson's best work, revealing to a wider public the literary vision of a «lost master.» The introduction by editor Gregory Wolfe offers the first extended narrative in print relating Thompson's complex personal story. The afterword by distinguished poet and critic Dana Gioia provides a thorough–and just–assessment of his poetic achievement.
Thompson's early poetry was not only technically innovative, but saturated with the language and the drama of gay experience during World War II. Yet just a few years after the war, Thompson returned to the Catholic faith of his childhood, only to find that his new poetic voice was out of sync with the times.
In spite of the difficulties he faced in his later years, Thompson did not give up writing poetry, continuing to produce quality work. After his reconversion, the poetry shifted in tone and form from a lush romanticism to an urbane classicism. The later work covers a wide range of subjects, from studies of historical figures to devotional lyrics.
This volume will not only stir up the debate about Thompson's sexual and religious passions, but also help complete the history of twentieth-century Anglo-American poetry, finally making his work available to scholars and lovers of poetry everywhere.

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Dunstan Thompson. Here at Last is Love

Here at Last is Love

Table of Contents

Introduction

Water Music

Memorare

Hyd, Absolon, Thy Gilte Tresses Clere

This Loneliness for You Is Like the Wound

Tarquin

The End in View

Jack of Hearts

Orphic Song

Lament for the Sleepwalker

The Lay of the Battle of Tombland

This Tall Horseman, My Young Man of Mars

Prothalamium for the Black Prince

The Prince, His Madness, He Raves at Mirrors

This Life, This Death

The Moment of the Rose

Youth

Introspection

Statues

Letter from a Mandarin of the Sung Dynasty

Portrait Busts

Inscription at Sunium

San Salvador

Three Views of Assisi

In Memory of John Keats

Cardinal Manning

In Rain, in Loneliness, the Late Despair

Hearsay

Alms for Oblivion

On a Blurb saying that a Poet had given Five Plays to the World

Persian Quatrains

Emperors of the Julio-Claudian Line

Stanza

A Soldier in England

Passage

The Death of Hart Crane

Poem

Early Poems

Thrush as Minor Poet

Fragment for Christmas

On a Crucifix

Dedication

Afterword

Endnotes

Acknowledgments

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Selected Poems of

Dunstan Thompson

.....

Abrahams was more like Thompson on a number of levels. Both had a homosexual orientation and valued literary conversation, wit, and repartee. They were “romantic over a rock-bed of realism...brothers in a savage world,” in Trower’s words. Abrahams would eventually have a distinguished career as an editor and publisher. During their Harvard years they would have only one significant falling-out: when Abrahams tried to enlist Thompson’s support for the cause of the Republicans in the Spanish Civil War. Whether because of his Catholic background or an innate sense of moderation in political matters, Thompson disappointed Abrahams when he expressed ambivalence about that cause.

Thompson’s extracurricular activities centered on The Harvard Monthly, a campus magazine originally founded by George Santayana and others that had gone defunct and only just been revived when Thompson arrived at Harvard. He served as contributor, editorial board member, and, eventually, as editor. Among the poems he contributed was “To Hart Crane,” whose poetry had already exerted considerable influence on him.

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